Scott Weiland is a lucky man. After success with two hit-producing bands – Stone Temple Pilots and Velvet Revolver – he currently has a hot trio behind him he calls
Chicago artist Chris Prunckle never set out to review albums in comic book form. He has a background in the arts but is mostly self-taught and these days he enjoys
[rating=9.00] Considered by most Dylantologists to be the definitive period in Bob Dylan’s nascent development, the mid ‘60s found him moving at stratospheric speed in an evolution that took him
[rating=9.00] We’ve heard this story before. An extraordinarily talented artist cuts one perfect record and, too often under tragic circumstances, the album is lost in time. Then, years later, a
The incense was lit. Classical music and Nordic metal flowed out from the PA’s into the ears of the horde that had gathered at the Mohawk on Saturday night. Like
[rating=9.00] It is a rare and astounding privilege to be able to watch the evolution of a young artist over the course of only a few years. And thanks to
[rating=7.00] Don’t be fooled by the name. Wild Child aren’t nearly as unhinged as their handle might otherwise suggest. And yet, they’re no fools either, the handle of their third
[rating=7.00] With his third full-length album Age of Transparency, Autre Ne Veut (real name Arthur Ashin) continues to explore the fringes of post-R&B. He expands upon the eclectic experiment on
[rating=9.00] Somewhere between the sparse, sly delivery of Mark Sandman’s Morphine and the formidable big brass sounds created by acts like Tower of Power lies Josh Hoyer and Soul Colossal.
[rating=7.00] It’s a strange title. Likewise, it’s not immediately clear what it might refer to. If one was a marketing guru and wanted to play off it in some strange
