[rating=8.0] Born Sinner may be the strongest album of the summer, despite it still being the start of the season. J Cole simply mesmerized the rap nation with this piece
[rating=6.0] Today it is impossible to separate “Kanye the Celebrity” and “Kanye the Artist”. It would appear “the celebrity” has overtaken “the artist” by dropping an album on the birthday
[rating=6.0] By far the very best track on John Fogerty’s Wrote A Song For Everyone is “Long As I Can See the Light” recorded with My Morning Jacket. Jim James’
[rating=8.0] If you’ve been longing for a return to the jam-heavy, free-wheeling, good-time tunes which marked Robert Randolph & the Family Band’s debut, Unclassified, and the live albums which preceded
[rating=7.0] Normally when your lead singer dies, that spells curtains for a band. But Alice in Chains was always more about Jerry Cantrell than Layne Staley arguably speaking. And the
[rating=9.0] Packaged with a collector’s loving eye for, the 25th Anniversary edition of Green recognizes a most significant milestone in the career of R.E.M. Notwithstanding the nay saying of the
Though Fever Dream slows quickly following its title track, as an overall effort it transcends its flaws, standing as a promising EP from a young band with the capacity to wrap emotional, heavy lyrics inside a catchy accessible synth-pop casing.
[rating=8.0] In its latest incarnation, Robert Walter’s 20th Congress may be a slightly realigned and augmented version of The Greyboy Allstars, of which he is a founding member. But as
[rating=6.0] Filled with sun-drenched melodies, dreamy aesthetics and a whole lot of echoing sounds and fantastical flourishes, it is obvious to anyone listening to the sophomore release from Imaginary Cities
[rating=8.0] Yellowbirds’ sophomore album marks Sam Cohen’s first foray into a full band collaboration since the dissolution of Apollo Sunshine in 2009. Yellowbirds’ 2011 debut, The Color, was essentially a
