Album Reviews

JEFF the Brotherhood: We Are The Champions

JEFF The Brotherhood is Jake and Jamin Orrall of Nashville, Tennessee, owners of Infinity Cat Recordings. The bare bones duo, just guitar and drums, played 230 shows last year and were hailed by Spin magazine as one of the “must see” acts at this year’s South by Southwest.  Their new album, We are the Champions, is eleven tracks and a short 35-minute. It’s packed with jagged scuzzed-out guitar riffs that hop between Weezer style chunky rhythms, sharp, classic rock swagger, and blasts of powerful punk power.

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Dave Stewart: The Blackbird Diaries

[rating=4.00] When Dave Stewart’s new album, The Blackbird Diaries, opens, the initial shock of finding a smoking, swinging roots-based rock jam is quickly assuaged by digging into the caliber of

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Catie Curtis: Stretch Limousine on Fire

Surprising, then, are the few rare times when language meets product, and an album breathes new life into a seemingly static journey. A great example of this is Catie Curtis’ new record, Stretch Limousine on Fire, which after a string of fairly nondescript and traditional Curtis folk/pop records thrusts her square back on top of her game.

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Black Country Communion: 2

Following the well-received debut this “super group” got the last time around, it’s not that surprising that Glenn Hughes, Joe Bonamassa, Jason Bonham and Derek Sherinian would get back together for another kick at the rock and roll can.

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Zomby: Dedication

Zomby does a great job in taking care of the music department, as Dedication kicks off with definite club music vibe slowed down to mid-tempo grooves. The music should rightfully be several times faster than it actually is, and it takes some settling into; it’s an odd feeling. But like they say (‘they’ being non-existent entities I just made up for the sake of convenience): Odd is always interesting, if nothing else.

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Charles “Paxy” Axton: Late Late Party: 1965

ALate Late Party: 1965–1967 is a compilation featuring R&B saxophonist Charles “Packy” Axton, a Memphis musician who prior to the time of these recordings was a member of the Mar-Keys. By itself, his fiery playing on the opening track, “Holiday Cheer,” can have the same salutary effect on you as it did on me—but it doesn’t hurt that the rhythm section smokes, which tells you something important about Late Late Party.

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Eleanor Friedberger: Last Summer

 If the opener “My Mistakes” – which sounds like an early Rosanne Cash fronting The New Pornographers – doesn’t have you moving in your chair, seek help.

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Boston Spaceships: Let It Beard

The latest offering – and with Robert Pollard I mean what he’s released basically since last night – from the Guided By Voices singer is a rollicking side project called Boston Spaceships (well now main side project) that has a huge ‘60s Brit rock feeling on the lead off “Blind 20-20” that morphs into a sweeter, spacey Beatles-esque romp. Alongside former GBV member Chris Slusarenko and The Decemberists’ John Moen, Pollard is in fine form on the all too short “Juggernaut Vs. Monolith.

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Locksley: Locksley

Since the demise of The Fratellis a few years ago, people have waited for a punchy, catchy and sinfully infectious band to come along to carry the torch. And with Locksley, well they look to be that group. After being The Kinks’ Ray Davies backing band on a U.S. trek, the quartet has gotten much mileage from the huge sing-along nugget “The Whip.”

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