Album Reviews

Le Concorde: Suite

Although Le Concorde has only been around since 2003, they sound like pop rock veterans on their newest EP, Suite. Stephen Becker, the mastermind behind the band from Chicago, gets how to write a catchy song—and this new batch brings plenty of energy. The gem here is “All These Fragile Unions,” which uses Becker’s rhythm and wonderfully awkward sense of melody and sounds to form almost three minutes of suiteness. The bar has officially been raised for their next full-length album.

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Electric Six: I Shall Exterminate Everything Around Me That Restricts Me from Being the Master

The Detroit-based, Electric Six’s fourth and latest release on Metropolis borrows its name from a drawing by the German artist George Grosz which depicts and grotesquely satirizes the gluttony, greed and excess of Berlin between World War 1 and World War II. And although I Shall Exterminate Everything around Me doesn’t focus on 1920s Berlin, it does focus on and satirize excess.

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Grateful Dead: One From the Vault & Two From the Vault

The reissue of the Grateful Dead’s very first two archive titles, simultaneous with the release of Three From the Vault, reaffirms how endlessly fascinating it is to follow this band. And it’s not just the music, but also the way the group meshed aesthetic and business activities.

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UNKLE: War Stories

Master collaborator James Lavelle has arisen again as UNKLE, releasing UNKLE’s third album, War Stories, after a four-year hiatus since Never, Never, Land. Unsurprisingly, given that UNKLE is the work of a multi-person collaborative effort, War Stories is a mixed bag of quality tracks and songs that will be gone from your recollection as soon as they end.

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Steel Train: Trampoline

Though guitarist Jack Antonoff may be best known for his (former) relationship with sultry actress Scarlett Johansson, his band, Steel Train—which he formed as a duo with singer Scott Irby-Ranniar in New York City in 1999—evinces enough indie-pop power to make him famous in his own right.

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The Lennings: Big Beige Car

Listening to this record will result in immediate obsession and audiences should prepare to be both fascinated and aurally wooed.

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Prize Country: Lottery of Recognition

Prize Country have rightly focused on anger and emotion, allowing focus to fall upon their art as a whole, not its component parts in isolation. Like so many great rock n roll albums before it, Lottery of Recognition doesn't hold anything back. It's pure visceral, angry energy

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The Harlem Experiment: Various Artists

Producer Aaron Levinson and Ropeadope Records founder Andy Hurwitz return with another genre-bending musical tribute to a specific cultural breeding ground. But unlike Philadelphia Experiment and Detroit Experiment, this one spotlights a single neighborhood, Harlem, one of the most artistically fertile areas in the country. Structured as an imaginary AM radio transmission, “hosted” by Harlem DJ muMs—and featuring a talented house band—Harlem Experiment weaves an aural tapestry of funk, blues, jazz, salsa, hip-hop and beyond.

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Ian Hunter: Shrunken Heads

As leader of Mott the Hoople, Ian Hunter was as vulnerable as he was acerbic, seeing rock and roll as a metaphor for all facets of the human condition. The perpetually-shaded iconoclast has continued this work through a dozen post-Mott solo albums, the success of which has depended, as is the case with most literate songwriters, on the balance between musicianship/production and the material as means to a message.

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Patton Oswalt: Werewolves & Lollipops

Lollipops is the latest offering from alt.comedian Patton Oswalt. Hopefully you know Oswalt as the mastermind behind the brilliant Comedians of Comedy – it’s the antithesis of Dane Cook and Blue Collar Comedy, meaning smart and funny. Odds are though you recognize him from his stint on The King of Queens or from this past summer’s Ratatouille – so you may need to forget your G-rated perception of him before settling into stand-up act.

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