1977 was a milestone year for the iconic and legendary British rock and roll band, Queen. The band had recorded another exciting, eclectic album that featured rock, blues, punk and
[rating=8.00] Perhaps it’s because (sole) drummer Bill Kreutzmann’s kit is so prominent throughout the audio mix of Dave’s Picks Volume 24, spanning the stereo spectrum in Owsley Stanley’s recording from
[rating=7.00] With each of her recent albums, Eilen Jewell has meandered ever closer to a style that emulates archival blues, providing a sturdy and assured delivery that also taps her
Celebrating the Criterion Collection’s re-release of Jean-Pierre Melville’s classic noir on Blu-ray, we look back on what makes Le Samourai so enduringly cool.
[rating=8.00] It’s a common instinct among people, to link music to the phenomena of the world around us. From the inextricable connection to the land of early indigenous music to Bach’s
Rex Brown said in a recent Glide interview that, “You can take the boy away from the farm but the farm pretty much comes with you,” in regards to his
History buffs will find a lot to enjoy in this look at Iran’s former Shah.
In the newest installment of Wannabe, artist Chris Prunckle reviews The Wind, the new album from Kentucky roots rockers Eric Bolander, in his signature six-panel comic strip form. Click on the image for full resolution (best viewed
Julia Jacklin’s Don’t Let the Kids Win was one of 2016’s best offerings. Aussie-born Jacklin and her band pair lyrics about deep fears, rejection, and self-realization with a mix of
“Never miss a Sunday show.” Somehow, that’s become a thing over the last couple of years. The logic holds up. You could always count on the Grateful Dead (still the
