March 2007

Photo Review: The Good, The Bad & The Queen

We’re continuing to recruit new talent to HT in an effort to provide you with more web junk to help you procrastinate at work. Today we offer our first post from Danfun, the photogenius behind the Who’s Driving The Bus? blog.

A sword sallower, a burlesque escape artist and three generations of rock and roll converged on the Webster Hall stage last night for fantastic evening of music.

GBQ2

Damon Albarn‘s amazing new supergroup, The Good, The Bad and The Queen, played its first North American show last night. A far cry from his old groups, this band features Clash bass player Paul Simonon, former Verve guitarist Simon Tong, and afrobeat pioneer and Fela Kuti drummer Tony Allen.

Read on below for more photos from The GB&Q’s continental debut…

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Tuesday’s Overflow

I just finished watching the Rock and Roll Hall of Fame induction, and oh my, what a train wreck. The only salvageable parts were REM’s performance and the footage from past ceremonies.

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Lucinda Williams: West

Lucinda Williams has never been shy about being personal in her music and her latest confessional opus – West – is no exception. Almost a carbon copy of 2001’s Essence in melody and lyrics, West is a notebook of slow moving hymns that run through themes of both losing and finding love.

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Bobby Bare Jr.: Humming to Myself

Listen to enough Bobby Bare Jr., and you start craving the stuff whenever you're in need of a little peace of mind. It's not that he makes music that's necessarily peaceful, just that he's arrived at a cross section of pie-eyed quirk, country musicianship, rocker dynamics and loveably dirty, unburnished romance that's particularly agreeable on any kind of day.

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On The Scene at Langerado

As Widespread Panic referenced New York City during last night’s Bust It Big, I got a little sad that Langerado had come and gone. For the second year in a row it was a flawless weekend at the little festival that could.

And I was so impressed with Widespread’s headlining set, I flashed them as they left the venue behind a Sunrise Police cruiser. I’m sure Schools appreciated that.

Sunset

There were only two complaints I heard all weekend, one of which is a fair criticism, and the other is just another case of jamband fan idiocy. A few days before the festival an e-mail update went out that mentioned a second exit out of the park that would relieve traffic congestion. Let me know if anyone found that supplementary egress, because I spent all weekend searching for it.

But the other criticism is ludicrous: the people complaining about the lack of an encore from Widespread. Panic walked off stage at 10 pm after playing a 150-minute, greatest hits blockbuster set that maybe contained two minutes of downtime. A large group in the crowd audibly booed when Annabel Lukins came out to announce the show was indeed over when the crowd didn’t leave. She must have been psyched to get that plum assignment.

Langerado has a strict 10 pm curfew. My hotel was three miles from the main stage and you could hear the music clearly from the festival, so I can understand how the organizers weren’t looking to blow through the curfew on a Sunday night. Panic consciously decided that instead of wasting five minutes leaving the stage and coming back for an encore they would just play until the curfew. People should be applauding that decision. We actually got extra music, dumbasses.

Anyway, with the brief lecture over, let’s take a look at some more of my favorite things seen and overheard around the Langerado festival this year…

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