Uncle Billy’s Wrench
Grateful Dead Hour host David Gans has posted some great photographs from his private collection. Some of his best work is from the Grateful Dead’s show at the Hollywood Bowl in 1972 and
Grateful Dead Hour host David Gans has posted some great photographs from his private collection. Some of his best work is from the Grateful Dead’s show at the Hollywood Bowl in 1972 and
For this week’s B List, we’re honored to introduce our friend Stuart Hartstone. Stuart has worked many festivals with “oo” at the end of the title for Superfly Productions, and most recently he has helped promote concerts and manage artists under the Hartstone Productions banner (along side his brother Jarrett).
“I’ve never been a fan of Top 10 lists when it comes to music — to me, the premise is kind of silly. I’ve always believed that art was in the eye of the beholder, so who’s to say one person’s art is better than someone else’s? But I also generally tend to disagree with most Top 10 lists. I don’t know who writes these things, but with the exception of The B List’s recent Top 10 Side Projects, I often come away feeling like the author has his head firmly affixed up his ass.
Well, that didn’t stop me from taking this opportunity to put together a Top 10 list of my own. I was listening to the Rolling Stones’ Sticky Fingers the other day, and Can’t You Hear Me Knockin’ came on. I’ve always loved that song, especially the intro. For lack of a better word, it’s just so badass. So it got me thinking: What other songs have similar badass intros like that one? You know, an intro that is just so good it makes you want to pump your fist in the air and yell ‘Yeah!’
So while I know some of you probably won’t agree with me on all of this — I’m still not 100% convinced I do — here without further ado is my Top 10 Badass Guitar Riff Song Intros. While you might not agree with all my choices, I think you will find that for the most part, the intros to these songs are pretty fuckin’ badass!”
Read on below for Stuart Hartstone’s guest edition of The B List…
While most music blogs are busy flickin’ the bean today to tawdry thoughts of Coachella (pre-sale today by the way), the hot-off-the-presses lineup for this year’s New Orleans Jazz & Heritage Festival will likely fly under the radar.
Steely Dan, Van the Man, Dr. John, Allman Brothers Band, Norah Jones, ZZ Top, Bonnie Raiit, Ludacris, John Legend, Counting Crows, Rod Stewart (Faces reunion?!), New Edition, Allen Toussaint, George Benson, Jerry Lee Lewis and Harry Connick Jr. closing out the show? That’s just dyn-o-mite, and we haven’t even heard what’s in store for the night crew. Read on below for the full JazzFest lineup…
The reunion news just keeps flooding in to the Hidden Track corporate headquarters out here in sunny Mom’s Basement. Rumors began flying a few months back that David Lee Roth
Kunek doesn’t belong in the ambient bin, as it’s a bit more Badly Drawn Boy with a couple of Beatles moments thrown in, but most fans of the genre would appreciate the album.
For two nights the String Cheese Incident, Peak Experience and Anon Salon organized one amazing New Year’s party. The Concourse Exhibition Center is a long, yet not too wide, venue that housed three separate stages. From one stage to the next one could wonder from a mostly nude burlesque show, to an electronica D.J. spinning tunes, to the eclectic S.C.I. tapping into their ever varied bag of musical tricks.
n the thirty plus years that John & Peter’s has been open, much has changed, styles have evolved, musical trends have come and gone, bands have come and gone, but not much as changed at the tiny New Hope club. John & Peter’s is a throw back to the days when Rock ‘n’ Roll venues were more than just bright lights, big stages, and flashy extras. John & Peter’s serves cold beer, plays the music loud, has small dirty bathrooms, but it is one helluva a good time.
If your memory serves you well…I was going to confiscate your lace. [youtube]DT_UO3sTLsY[/youtube] That little number’s from Pittsburgh’s now-defunct Syria Mosque in November of the Year of Our Lord Nineteen-Hundred
Love God’s Way is a faith-based ministry that professes it’s goal is to spread God’s Love through teaching and healing. But I’ll confess, God touched me once, and that’s not the way I thought I’d be loved by Him. He “healed” like my Uncle Gary.
According to these likely repressed homosexters, “One of the most dangerous ways homosexuality invades family life is through popular music. Parents should keep careful watch over their children’s listening habits, especially in this Internet Age of MP3 piracy.” Did you think he meant “MP3 piracy” or “butt piracy?”
Read on after the jump for a full list of gay bands for which you should watch your back…quite literally, say our kind-hearted brothers at Love God’s Way.
Welcome to another edition of Grousing The Aisles. It’s been a busy week, with many terrific shows being offered up on the familiar torrent sites. I struggled to decide which shows made the cut, but in the end I decided on a glimpse into the future of rock with Circle Sound, as well as a look back on classic shows by The Band, Steely Dan, Queen and Widespread Panic. Check it out…
Circle Sound 1/19/07 DAUD (FLAC):
North Mississippi Allstars guitarist Luther Dickinson and Black Crowe Rich Robinson debuted their latest side project at the Bowery Ballroom this past Friday. The new band played a few of Robinson’s originals, one Crowes song and a heady mix of classic rock covers. Patti Smith even got in on the fun, singing a song with the band — it’s not everyday the Queen of NYC christens a new project.
I saw the North Mississippi Allstars a few times in the early part of this century and left unimpressed. As a friend said to me, “If these are the Allstars, I’d hate to see what the other bands in North Mississippi sound like.” Recently I saw the NMAS play a blistering set opening for Umphrey’s McGee in Chicago, and I came away from that night with a whole new respect for Luther Dickinson as a performer.
After listening to Circle Sound’s debut set, I think I’ve actually become a Dickinson fan. Luther throws his heart and soul into this project, both vocally and on the guitar, adding a killer compliment to Robinson’s soaring leads and harmonies. I have a feeling this band is going to not only play more gigs, but might just be the outlet both guitarists need to keep innovating southern rock.
Queen, Steely Dan, The Band and Widespread Panic shows after the jump…