It’s not history-making like their previous outing, but DJ/producers Sasha and John Digweed are hitting the road together again this spring for the first time since 2002. The duo’s 21-date,
it’s not apparent by now, after eight official studio albums and the de rigueur double live set, Big Head Todd and the Monsters are not going to blow anyone away. But on the basis of the new All the Love You Need, they have learned how to avoid the pitfalls of the AOR subgenre in which they reside.
Spoon have announced the first dates of their ‘Victory Lap’ tour of the US, kicking off April 2 in Kansas City. The band will be joined by The Walkmen and
Having gone platinum in the UK, Kate Nash’s Paul Epworth produced debut saw its US release via Geffen on January 8th and debuted at #36 on the Billboard album charts.
The RATM concert in Osaka was an memorable event as the fans at Osaka-Jo Hall got wild, but never malicious. What makes a Rage show so powerful is having every member of the audience understanding the band's message, accepting it, and becoming one.
As Tall As Lions is a landscape of instruments that continually overlap to create a sonic cocktail – part orchestral pop, part lounge with a Latin backbeat holding it all in check.
New Zealand’s 4th most popular musical comedy band, Flight Of The Conchords, have put together a fantastically hilarious mockumentary about their experience at SXSW called A Texan Odyssey. So, if
If you aren’t able to attend Wilco’s five night “bust ’em all out” residency, you’ll still get a chance to listen to one show as it happens. Audio of tonight’s
Over the last few years our neighbors to the North have been exporting some of the most buzzed about bands around. So much has been written about these acts, that I won’t waste your time rattling off a laundry list of them. There is one band though that has been greatly overlooked among the art-rock and indie-pop that we’ve been eating up like plates full of poutine (and coincidently happen to be rather huge in their native land) – Sam Roberts Band.
Despite the rather mundane moniker the band has been nominated for multiple Juno awards – Canada’ version of the Grammy’s – for their last two albums; raking in a trifecta of them in 2004 for Artist, Album and Rock Album of the year for their major label debut We Were Born In A Flame. While I would normally avoid most things that resemble a radio-friendly mainstream rock band, it’s really hard to not like these guys. So don’t be a hoser and read on eh…
A little over a year ago longtime HT contributor DaveO and I were brainstorming column ideas, when he uttered the words “Cover Wars.” Pushed for details Dave suggested that we layout some basic facts for two or three different cover versions of the same song, and let the readers judge which version is better.
Considering our slogan used to be “my band can beat up your band,” we thought it was a fitting column. The time has finally come for the first edition of Cover Wars. Listen to all three versions of the “sequence,” read Dave’s notes and then cast your vote for the best of the batch. Take it away, Dave…
B-Side? Medley? Let’s just call it the Abbey Road “Sequence,” as that’s what the great folks over at “rec.music.beatles” have come up with. Speaking of RMB, it’s a great resource for all things Beatles.
Instead of writing a history of the album’s B-Side, I will direct you to two pieces that tell the tale of The Beatles’ true final album. First, the RMB article that goes into many details regarding the musical composition of the sequence. Second, the wikipedia entry for Abbey Road where you can learn such fun facts such You Never Give Me Your Money was written in part about The Beatles financial problems with Apple, or how Golden Slumbers is musically based on a Thomas Dekker piece from the 17th-century with the same name.
Read on for DaveO’s notes on the three versions, and to cast your vote for who does it best…
