Bloggy Goodness: Sonic Youth Goes Starbucks
I’m going to leave it up to the snarky hipster blogs to pass judgment on Sonic Youth for releasing their new “greatest hits” album – Hits For Squares – exclusively
I’m going to leave it up to the snarky hipster blogs to pass judgment on Sonic Youth for releasing their new “greatest hits” album – Hits For Squares – exclusively
We thought just about every jam band besides Phish and Widespread Panic allowed fans to upload shows to the Live Music Archive, but that’s not the case. Another longtime holdout
While we’d probably like to forget we ever wasted what’s most likely added up to days watching stuff like the Numa Numa guy or the Leave Britney Alone dude (we
Yoav…a star yet to be so named. This young musician, who until earlier this year hadn't released a full-length album, has already had quite the trajectory, including scoring the opening slot for Tori Amos.
Same Old Man may be the most accessible album of John Hiatt’s career. But it’s worth serious note that the rewards of hearing this album (repeatedly) far outweigh its simplicity and that’s due to the strength of the songs. Tunes such as “Cherry Red” and “Hurt My Baby” are just two instances in which the author turns the usual conceits of composition inside out.
I’m sorry for the lack of posts today, but I’ve been getting crushed lately at my real job. Hopefully we’ll return to a normal posting schedule next week. For now
We’ve just passed the four year anniversary of Trey Anastasio’s infamous letter to the fans declaring Phish was done, but according to a post on Rolling Stone’s blog this morning
Billy Corgan reformed the Smashing Pumpkins last year for an extremely successful album and tour, but didn’t invite original bass player D’arcy Wretzky or original six-stringer James “Don’t Call Me
Like their left coast cousins The Greyboy Allstars, Lettuce is something of a modern urban musical myth. Formed in the 90's out of common experience and taste, members of the band went out on individual projects—Soulive, Scofield and solo—before coalescing once again into a powerful funk collective.
Playing to a sold out room that remained attentive and fun from the opening “Via Chicago” to the closing “The Late Greats,” Tweedy and his band mates were firing shots and killing moving targets all night long.