Hidden within the soul of certain cops is the feeling that they’re above the law. I’m not saying they’re not, mind you. They do get to sample the best dope, beat on the innocent and drive way past the speed limit. To Protect and Serve, as it were. But whom?

And speaking of The MAN, we slither into the City of Lost Angels in our latest thrill ride (and this one has a manic drive down the wrong way of a very crowded freeway), directed by William Friedkin, who made his name in the ’70s with two classics, The French Connection, and The Exorcist. The former, a tale about the devil on the outside; the latter, about the devil inside. In this week’s Hidden Flick, there is a sinister combination of the two wrapped into one character played by ex-CSIer William Petersen.
To Live and Die in L.A.
should have been a comeback film for Friedkin, and a breakout performance for Petersen, who was a Chicago stage actor at that time (and, actually, went back to that role before, during, and after, his stint on that popular television show), while the director was mired in films that didn’t seem to capture the popular Zeitgeist. And who really gives a shit? What is popular? What is a stupid German term like Zeitgeist but an excuse to whip out the Andy Warhol card that says ‘15 minutes of fame happening’?
READ ON for more on this week’s Hidden Flick…