2010

When There Was No Alternative

Among all the fleeting genres that show up briefly as a blip on the popular culture radar screen only to quickly fade away, there are a few that really manage to stick, and ultimately define a sub-culture or even a generation. We’ve seen it to varying degrees with genres like punk, heavy metal, or rock n’ roll itself; all essentially made up terms that went on to mean everything.


For better or worse, another one that stuck was “alternative.” Initially, an outcrop of the grunge scene, alternative went on become an all-consuming pop culture multi-beast; taking hold of not just music, but cinema, fashion, and art as well. Alternative was everywhere, which begged the question: to what exactly is this an alternative? It was a brand, a marketing gimmick that was consumed – no, devoured – by the mainstream.

Yet beyond the irony of it all, it also represented a relatively heroic period in popular music whereby genuinely awesome bands ruled the radio. Pop culture, the mass media, and most of all, kids, were actually listening to good music. It was one of those rare times in modern music history where to some extent, the best bands were also among the biggest, most famous, and widely listened. READ ON for more from Ryan…

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Bob Dylan: The Witmark Demos: 1962-1964 (The Bootleg Series Vol. 9)

Of all the extraordinary aspects of Bob Dylan’s flair for composing early in his career, the prolific nature of his writing may be the most awe-inspiring. As demonstrated by The Witmark Demos, Dylan’s output reached and remained at a prodigious level not just in terms of quantity, but in the scope of the writing.

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Johnny Winter: Hard Rock Live, Biloxi, MS 12/3/10

Legendary Texas blues guitarist Johnny Winter took the stage recently to a loud revelry of respect, then quietly and calmly drove home some amazing licks that only proved how he has become an idol to just about every musician who has ever plucked some strings on an old guitar since 1969 when he released his first album.

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The Televangelist and the Architect: Expecting Nothing Out of Everything

The Televangelist and the Architect is a MIT PhD student named Jerry Chen (with various friends helping out) who seems to get a kick out of hiding his face in the band’s promo photos. Then again, when you produce something that is simultaneously pompous and dull (a nifty trick) anonymity could be a blessing. 

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Will & John Do Bing and Bowie

The latest Funny or Die clip had us cracking up this afternoon, so we just had to share. Take a look as comedians Will Ferrell and John C. Rilley do

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Tour Dates: The Return Of Lauryn Hill

Guess it’s a week to talk about comebacks from the world of hip-hop, as Lauryn Hill has announced a ten-date Northeast tour that will kick off  at the Higher Ground

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Cover Wars: Buckets Of Rain

In the pantheon of gut wrenching, emotionally charged break up albums none may top the sheer heartbreak found throughout Bob Dylan’s 1975 release Blood On The Tracks. The album has been mined for its share of covers over the years, but it’s the first time we are actually featuring a track from what is arguably one of Dylan’s best LPs.

Cover Wars


While there may be a few more obvious choices, we’re going with the moody album’s melancholy closing track, Buckets Of Rain. The tune, which according to Wikipedia has astonishingly only been played live once by Dylan, is as tender as it is devastating with lines such as, “Like your smile, and your fingertips. Like the way that you move your lips, I like the cool way you look at me. Everything about you is bringing me misery.”

The Constestants:

Before hitting it big on his own, M. Ward was a member of Beth Orton’s touring band. The duo’s version finds Orton and Ward trading off on the verses, which was released as the B-side for the digital single of Heart Of Soul, a track that Ward co-wrote with Orton for her 2006 album Comfort Of Strangers.

[audio:https://glidemag.wpengine.com/hiddentrack/wp-content/uploads/2010/07/bucketsbeth.mp3]

READ ON for more covers of Buckets Of Rain from the likes of Neko Case, David Gray, Vic Chesnutt and more…

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Dear Santa: Possible Phish Bust Outs

We’re less than two weeks away from the start of Phish’s first five-show New Year’s run at the DCU Center in Worcester. Outside of 1998’s four-show stand at MSG, Phish New Year’s runs usually contain at least a few bust outs – a holiday gift of sorts from the band. What’s interesting is that there actually aren’t many tunes the group has played more than ten times in their career that they haven’t performed at least once since Hampton ’09.

[Photo by Jeremy Gordon]


To give you a visual on what Phish cover and originals have yet to be performed in the current era, we’ve put together a list of songs the quartet has played at least ten times in their career – and at least once since 1994 – but have yet to be dusted off since Hampton. Many of these tunes are Fishman songs or a capella tunes; we’ve marked those compositions in italics. Here’s what’s left listed by the last year the songs made it into a Phish setlist…

Last Played 2004: Terrapin, Friday,

Last Played 2003: Carolina, Magilla, Beauty Of My Dreams, Dogs Stole Things, Dog Log, Life On Mars?, Daniel Saw The Stone,

Last Played 2000: The Curtain, I’m Blue, I’m Lonesome, Inlaw Josie Wales,

Last Played 1999: Sweet Adeline, La Grange, Cracklin’ Rosie, Whipping Post, If I Only Had a Brain, Purple Rain, Foreplay/Longtime

READ ON for the rest of this potential bust out list…

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