The Televangelist and the Architect is a MIT PhD student named Jerry Chen (with various friends helping out) who seems to get a kick out of hiding his face in the band’s promo photos. Then again, when you produce something that is simultaneously pompous and dull (a nifty trick) anonymity could be a blessing.
Of all the extraordinary aspects of Bob Dylan’s flair for composing early in his career, the prolific nature of his writing may be the most awe-inspiring. As demonstrated by The Witmark Demos, Dylan’s output reached and remained at a prodigious level not just in terms of quantity, but in the scope of the writing.
Dead Confederate is excited to announce 4 special holiday shows in Georgia… The band will be performing the classic 1975 Neil Young album Tonight’s the Night in four Georgia cities
While Bon Jovi may have made more money on the road than any other band this year, but there’s one thing they didn’t accomplish – getting into the Rock and
The latest Funny or Die clip had us cracking up this afternoon, so we just had to share. Take a look as comedians Will Ferrell and John C. Rilley do
Guess it’s a week to talk about comebacks from the world of hip-hop, as Lauryn Hill has announced a ten-date Northeast tour that will kick off at the Higher Ground
In the pantheon of gut wrenching, emotionally charged break up albums none may top the sheer heartbreak found throughout Bob Dylan’s 1975 release Blood On The Tracks. The album has been mined for its share of covers over the years, but it’s the first time we are actually featuring a track from what is arguably one of Dylan’s best LPs.
While there may be a few more obvious choices, we’re going with the moody album’s melancholy closing track, Buckets Of Rain. The tune, which according to Wikipedia has astonishingly only been played live once by Dylan, is as tender as it is devastating with lines such as, “Like your smile, and your fingertips. Like the way that you move your lips, I like the cool way you look at me. Everything about you is bringing me misery.”
The Constestants:
Before hitting it big on his own, M. Ward was a member of Beth Orton’s touring band. The duo’s version finds Orton and Ward trading off on the verses, which was released as the B-side for the digital single of Heart Of Soul, a track that Ward co-wrote with Orton for her 2006 album Comfort Of Strangers
READ ON for more covers of Buckets Of Rain from the likes of Neko Case, David Gray, Vic Chesnutt and more…
We’re less than two weeks away from the start of Phish’s first five-show New Year’s run at the DCU Center in Worcester. Outside of 1998’s four-show stand at MSG, Phish New Year’s runs usually contain at least a few bust outs – a holiday gift of sorts from the band. What’s interesting is that there actually aren’t many tunes the group has played more than ten times in their career that they haven’t performed at least once since Hampton ’09.
[Photo by Jeremy Gordon]
To give you a visual on what Phish cover and originals have yet to be performed in the current era, we’ve put together a list of songs the quartet has played at least ten times in their career – and at least once since 1994 – but have yet to be dusted off since Hampton. Many of these tunes are Fishman songs or a capella tunes; we’ve marked those compositions in italics. Here’s what’s left listed by the last year the songs made it into a Phish setlist…
Last Played 2004: Terrapin, Friday,
Last Played 2003: Carolina, Magilla, Beauty Of My Dreams, Dogs Stole Things, Dog Log, Life On Mars?, Daniel Saw The Stone,
Last Played 2000: The Curtain, I’m Blue, I’m Lonesome, Inlaw Josie Wales,
Last Played 1999: Sweet Adeline, La Grange, Cracklin’ Rosie, Whipping Post, If I Only Had a Brain, Purple Rain, Foreplay/Longtime
READ ON for the rest of this potential bust out list…
Last week, Widespread Panic kicked down a free video of Bring It On Home from Halloween in New Orleans as “a thank you for an awesome 2010.” Not only can
Some documentaries are for casual fans, others are for more serious fans and others are almost for musicians themselves. This one falls into the latter two categories. There is a bit of narrative that takes him from childhood to the London of 1967 and a bit more that surrounds his death, but the focus is more on his music, his legacy and the many wild guesses as to what he would have done had he lived.
