2010

It’s pretty remarkable just how consistent moe.’s been over 20 years: in personnel, in commitment, in slow, steady growth, in that damned quirky, hard rocking way of doing things they do so well. So I posed the question to guitarist Chuck Garvey directly: How have you guys kept it together and kept from killing each other when changes, hiatuses and other issues have wreaked havoc on many of your jamband peers?

[Photo by Jeremy Gordon]

“That’s just the way we are,” Garvey said in a recent interview. “Everyone has a different attitude about it, but we seem to have a certain comfort level in how we are as a band. It’s been working for a really long time and we’re just getting on to the next creative phase. Making another album is always something to look forward to. This past fall, we were going to record, but we decided to push it off because we didn’t feel like we had enough time to devote to it. We have to make sure these days that we have the time and space to do it right.”

Garvey said moe.’s been “pulling back” on touring in recent years, which seems true but relative only to moe. Apart from a few extended seasonal breaks, the band, at least in the past decade, hasn’t been off the road longer than a few months. Pretty remarkable when you consider the major hiatuses and lineup changes from moe.’s peers, although, as Garvey notes, “It’s different for everyone. Widespread Panic lost Michael Houser, and that’s a major, life-altering occurrence. I’d say it’s more accurate that we’ve been lucky.”

READ ON for more of Chad’s chat with moe.’s Chuck Garvey and Hidden Track staffers’ favorite moe. moments from the past 20 years…

My sister introduced me to the most amazing alternative bands in the late ’80s/early ’90s including Buffalo Tom, Juliana Hatfield, the Mighty Mighty Bosstones, The Cure, R.E.M. & The Lemonheads.

If there’s a job to be done in the live music biz, Peter Costello has probably done it at some point. Production? Check. Audio engineering? All the time. Road managing legendary musicians? He’s wrangled them all. Yet, what we love is about Pete is that he’s still a fan and hasn’t lost his passion for the music. We’re honored to welcome Peter to the Hidden Track team to share his thoughts on last Saturday night’s Some Cat From Japan show.

[All photos by Greg Aiello]

As Scotty B wrote late last week, “There are some supergroup lineups that impress and some that blow you away. The lineup for Some Cat From Japan – Will Bernard, Nigel Hall, Scott Metzger, Ron Johnson & Eric Bolivar – is one of those mind-blowing lineups.” I already allowed my own personal expectations to skyrocket & friends called it “the sleeper show of the year” – all of this before any of us heard them play a note.

Clearly the quintet had something to prove as they filed on stage at Sullivan Hall just after midnight Saturday night / Sunday morning. About 11 seconds into the opener, Them Changes, with a Nigel Hall organ swell announcing the the familiar melody, all five of them jumped into the deep end of the pool & set out to do just that. Quickly locking into a groove that felt well rehearsed, but really wasn’t, the band set the stage for Nigel’s vocals. With his familiar – to me – blend of aggressive soultastic leads, Nigel’s vocals soared over the groove, filling the relatively crowded room.

In the spirit of the project, Nigel doesn’t try to sound like Jimi – nor does the band remain completely faithful to the original arrangements – and that’s a good thing. Its more like Donny Hathaway singing Jimi tunes. Some Cat doesn’t seek to fit the mantle of a “cover band” but, rather, works to reinterpret the songs & put their own spin on things. Think of it more as a “Tribute” band than a cover band. When you combine that vibe with the talent on stage, you get what we had here last Saturday night, which is the way I want it. Well, I got it.

READ ON for more from Peter on Some Cat From Japan…