August 2011

Intermezzo: Old Relationships Die Hard

Even though Sammy Hagar and Mickey Hart are putting on the bravest of faces in their latest individual interviews with Billboard and Rolling Stone respectively, you can’t help but come away from

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Video: OK Go – The Muppet Show Theme

The Muppets show has left an indelible mark on arguably all of the HT Staff, as we all became attached to its mix of loveable characters, kitschy smart humor (much

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Postcards From Page Side: Timber!

In this week’s Postcards From Page Side, Featured Columnist Brian Bavosa looks at the recent tragedies that seem all too common: stage collapses and the reasons why, and possible steps to prevent this from happening again…

Contrary to what you may be thinking, no, this week’s column is not about Phish’s cover of Timber (Jerry), commonly referred to as Timber Ho! Instead,  it will focus on what has become a an all-too familiar–and tragic–headline as of late, where we have seen a number of stage collapses at recent festivals and concerts around the world. My immediate reaction is how? Why now? What were the causes? And, it led me to think about what could have been done–if anything–to prevent these terrible, and deadly, events. Let us take a look at three recent disasters, all that have occurred within the last month or so.

The first tragedy we will look at occurred at the Indiana State Fair. Due to inclement weather, and a heavy storm that rolled through the area (the seemingly common X-factor in all of the collapses), the stage completely buckled and collapsed. Seven people were KILLED. Yes, dead. Unreal. Concerts are supposed to be fun, not deadly!

Now, my first reaction (and seems to be with each example we will look at) is: what the hell are those people still doing there by the time the storm rolled in?!?! In this day and age with the most advanced weather instruments, radar and equipment, how can we not tell a potential dangerous storm or situation is headed our way? Is it really worth making a dollar versus potentially causing a delay or possible cancellation, which sure, would cause headaches for the staff, promoters, venues and others, but is that really worse than the DEATH of concertgoers on your conscience? I guess this issue really gets my blood boiling because I understand that while being acts of nature in most or all of the cases, I still feel more can be done in prevention and preparation.

READ ON for more Postcards From Page Side…

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Zomby: Dedication

Zomby does a great job in taking care of the music department, as Dedication kicks off with definite club music vibe slowed down to mid-tempo grooves. The music should rightfully be several times faster than it actually is, and it takes some settling into; it’s an odd feeling. But like they say (‘they’ being non-existent entities I just made up for the sake of convenience): Odd is always interesting, if nothing else.

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Charles “Paxy” Axton: Late Late Party: 1965

ALate Late Party: 1965–1967 is a compilation featuring R&B saxophonist Charles “Packy” Axton, a Memphis musician who prior to the time of these recordings was a member of the Mar-Keys. By itself, his fiery playing on the opening track, “Holiday Cheer,” can have the same salutary effect on you as it did on me—but it doesn’t hurt that the rhythm section smokes, which tells you something important about Late Late Party.

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Alison Krauss and Union Station: Booth Amphitheater, Cary, NC 8/11/11

By the time Alison Krauss and Union Station waved farewell to the capacity crowd at Cary, North Carolina’s Booth Amphitheatre, they had unfurled a career-spanning set that included 30 songs.  That’s been the standard during their lengthy Paper Airplane tour, and the tour’s moniker has proven applicable only because of the recently released album of the same name

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