2011

Marc’s Musings: Free-Form Classic Rock Radio Lives! – Prisoners of 2nd Ave.

Free-form Classic Rock Radio Lives! WNEW & WPLJ return for two nights or Prisoners of 2nd Avenue @ Bowery Electric, April 1 – 2

If you grew up in the New York Metro area from the late ’60s all the way up until the late ’80s listening to what we pathetically now call “terrestrial radio,” then the following list will put a smile on your face:

Scottso
Bruce Juice
Get The Led Out
The Nightbird
Mixed Bag
On This Rock

If you weren’t into Top 40, jazz or disco, then you tuned in to WNEW-FM “Where Rock Lives” or WPLJ-FM for “New York’s Best Rock” to listen to the people who shaped the world of what we now call classic rock. Most people today don’t know who Scott Muni, Pete Fornatele, Jim Kerr, Pat St. John, Dave Herman, Jimmy FinkRichard Neer, Dan Neer, Jim Monaghan, Carol Miller, Tony PiggVin ScelsaJohn Zacherle, Jonathan Schwartz and Allison Steele are (and in some cases were). But for those of us who lived and breathed by Scott Muni starting his show off every single day with a Beatles or John Lennon song, or who tuned in to PLJ every night in order to hear Carol Miller play a block of Zeppelin, it was all so simple.

The idea of rock and roll not just being the latest single, but being the sum of the whole album which the artists worked so hard to put out meant that we understood rock as an art form. And this meant that the creators of this music – as well as the “shepherds” of the radio waves – truly were ARTISTS. And this wasn’t unique to New York City. There was KLOS in L.A. and WRIF in Detroit amongst the many.


Today, all of this is gone. Ray Davies forecasted it in 1982 with Around The Dial. Nobody puts out an album with six to ten songs that comes in at less than 44 minutes. No longer can we savor the moment when we walk into the RECORD store to buy the latest releases and smell all all that vinyl. No child today (unless he’s hip enough to own a turntable and willing to overpay for an outdated source product) will ever know the feeling that Cameron Crowe perfectly recreated in the scene from Almost Famous when William pulls out his sister’s albums from under his bed and drops the needle onto The Who’s Tommy for the first time. And NOBODY will ever again hear the type of radio that made us all fall in love with the music to begin with. Because make no mistake about it: the channels on Sirius/XM satellite radio that play old rock and roll are formula driven. There is no spontaneity. There is no whim of the DJ. No matter whose show it is today, it has all been constrained within the realm of the number crunchers. Unless of course your last name is Stern. And Howard isn’t playing music.

READ ON to see how the Prisoners of 2nd Avenue fit in…

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Video: The Low Anthem – A Shot In The Arm

Last year, The Onion’s A.V. Club invited 25 bands into their Chicago office’s to cover 25 different songs as part of their inaugural A.V. Undercover series. Once a song was picked it was crossed off the list till they were all done. The pop culture site is back at it again with another 25 bands and 25 songs that range from Prince to Huey Lewis & The News to Belle & Sebastian.

Earlier this week, The A.V. Club posted the fourth cover performance of the series as The Low Anthem put their indelible ramshackle folk-rock stamp on Wilco’s A Shot In The Arm. READ ON to see how it turned out…

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Postcards From Page Side: Kimock All-Stars

For three Wednesday nights in March and April, guitar maestro Steve Kimock has assembled a rotating cast of All-Stars to accompany him for a residency filled with completely improvisational, free-form jamming. I was able to catch the middle of these three nights at New York City’s Sullivan Hall last Wednesday, which featured a truly stellar lineup of Marco Benevento (The Duo/GRAB) on keys, Adam Deitch (Lettuce/Pretty Lights/Break Science) on drums and Marc Friedman (The Slip) on bass joining Kimock. The results were inspired, daring and overall, very impressive.

[All photos by Marc Millman]


While I have included links to videos and audio below, for one to truly grasp the events of this evening, one needs to understand Kimock’s, and these other super-talented musicians’, schools of thoughts. While Benevento and Friedman are well known on the jamband and indie scenes, and have played together in many instances prior, this was the first time that these four musicians had formally played a gig as a whole. Deitch was in my mind the wild-card on this evening, bringing an impressive funk and hip-hop swagger to the fold that I wasn’t quite sure how it would fit into this scene of loose, laidback, patient, and at times, very psychedelic playing. In the end, Deitch held the backend down, but never really stepped into the spotlight as I would have hoped to showcase his nasty chops.

Incorporating some Kimock numbers throughout the evening, things really seemed to open up with the first set cloer of 5 B4 Funk. A number that relies on heavy bass thumping, Friedman crushed the low-end and had the near sell-out crowd bobbing and moving. You’re The One was another highlight as it really kick started a fiery set two and allowed Kimock to really get cooking – something I wish he’d do more of, frankly. While he is the most impressive guitarist I have ever seen in terms of sound, tone and technicality, he manages to stay true to his philosophy of exuding patience in nearly any situation. That may be the reason that I have always found his fans to be jazz lovers, as you really need to focus, peel back the layers and pay attention to gain the full effect and receive the ultimate payoff.

READ ON for more of this week’s Postcards From Page Side…

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John Popper – Setting The Records Straight

John Popper, the iconoclastic frontman of Blues Traveler has once again re-invented himself with The Duskray Troubadours.  His month-long recording sessions in the mountains of New Mexico were much less a solo endeavor, and more or less a collaboration anchored by the strong musical bond between Popper and Jono Manson – bandmates from days of yore.  Popper put it best as, “A liberating, scrappy roots-rock alter ego of Blues Traveler.” 

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Garrie Vereen Celebration: April 10

One of our first readers and commenters was Ted Rockwell, co-founder of Everyday Companion, an online Widespread Panic setlist and information source. Ted is helping put together a celebration of

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Tour Dates: The Cars Reunion Tour

It’s no secret that we here around HT HQ have been giddy with anticipation to hear Move Like This, the first album of new material in over two decades from

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Review: Snoe.down 2011

Snoe.down 2011 @ Killington Resort and Spartan Arena

Words: Kahlil Katool
Photos: Wesley Rizzo

Moe., hosted their fourth snoe.down Winter Music & Sports Festival from March 24 – 27, a festival that captures the “.down home” feel the band’s events are known for. For the second consecutive year snoe.down was held in Rutland, VT as well as within the gorgeous landscape of mountains in Killington, VT. This year’s snoe.down brought out a lot of up and coming acts as well as several established ones to compliment moe., the upstate New York-based “ragers of improvisational rock.”

[All photos by Wesley Rizzo]


Showing musical excellence is exactly what moe. did with their two-night stand at Rutland’s Spartan Arena, where Keller Williams and Lotus opened. Snoe.down also featured an outdoor set on the side of Bear Mountain which took place in below-freezing temperatures with The Ryan Montbleau Band opening.  Moe. closed the weekend with an acoustic set that was open to VIP ticketholders, who were also treated to brunch. Not only did Keller open for moe., but he also had their dual lead-guitarist Al Schnier sit-in on his set.  This was later complimented by Keller sitting in with moe. as well. Snoe.down is a unique festival with an emphasis on skiing as lift tickets are sold as an optional part of the festival ticket package.

Thursday, March 24

Those early to arrive on Thursday were able to see either Twiddle at the Pickle Barrel or The Brew with special guest opener Lucid at the Wobbly Barn. The Wobbly Barn is an intimate bar-type venue that has an older, rustic decor as the floors and the walls are all wooden with a wrap-around upstairs balcony giving it a quaint, barn feeling. Lucid has an interesting sound and played a stimulating set. The dynamics of the sax player along with their percussionist, who also played a harmonica, added several interesting layers to the six-piece band from Plattsburgh’s sound. The highlight of Lucid’s performance was an unexpected but enthusiastically received cover of Beck’s Debra. READ ON for more from snoe.down 2011…

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Videos: Phish – Complete Island Tour

Thirteen years ago today Phish’s much-beloved Island Tour came to as close in Providence, RI. Over the course of four shows, which were organized quickly to give the band a break from prepping the Story of the Ghost LP, Phish built on the funk-laden improvisational style it had honed in 1997 and debuted three new songs they were working on. All in all, the Island Tour stands out as one of the best four-night stands in the group’s history.


For this morning’s video post we’ve compiled playlists of all four Island Tour concerts made up of newly-ripped videos uploaded by YouTube user Duanebase. Back in 2005 Phish put out perfectly-mixed official recordings of each show that are must-haves if you don’t own them already. Let’s go to the videotape…

April 2, 1998 – Nassau Coliseum

Phish – April 2, 1998 [Entire Show]


READ ON for videos of the final three Island Tour gigs…

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Free Downloads: Studio Tracks From Scott Metzger’s New Wolf! Trio

Wolf! was born from a need to just play music—to get the blood flowing,” says guitarist Scott Metzger about his new instrumental trio. “We do it to stay in shape creatively, but it’s also a hell of a lot of fun.”

[All photos by Scott Bernstein]


With a busy schedule of stage and studio work with people like Anders Osborne, Stanton Moore, Kelli Scarr, Erik Deutsch, Adam Levy, Eric McFadden, and Jason Crosby, Metzger has enjoyed taking over bandleader duties.

“Playing with and becoming friends with these musicians has influenced this music and given me the confidence to go out and front a guitar trio playing the kind of music I have always wanted to play,” says Metzger. “That’s where it’s at.”

Wolf! allows Metzger to show a musical side that fans of his more rock-oriented bands like Bustle in Your Hedgerow, Some Cat From Japan, RANA, and the Gene Ween Band might not have seen before.

“In Wolf!, we play country, boogaloo, soul, blues, western swing, and more,” says Metzger. “It’s all music I’ve always played in my living room or rehearsal space but never in public.” The band proudly wears its influences on its collective sleeve, not attempting to fool anyone. “We’re definitely old school kinda guys,” explains Metzger.

READ ON for more on Wolf! and to download studio tracks…

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