2011

Steel Cut Oats #7: A Mile High in ’73

Last year we shared a few compilations of classic Grateful Dead shows put together by longtime HT reader Joe Kolbenschlag. We were overjoyed to find Joe’s latest Steel Cut Oats compilation in our inbox this week and wanted to share this 37-track set from a pair of 1973 shows in Denver…

Steel Cut Oats : Volume VII : A Mile High in ’73
Grateful Dead, November 20th and 21st, 1973, Denver Coliseum, Denver, Colorado

One of my all-time favorite live performance periods from the Grateful Dead is Fall 1973 – specifically, the shows beginning October 19th and running through December 19th. Those two months offer an overabundance of the X-Factor that quite possibly was never matched again for that long of a time frame. The noted bookends above have been officially released as part of the Dick’s Picks series (10.19.73, Oklahoma City, OK – Volume #19, 12.19.73, Tampa, FL – Volume #1), and several other shows have also been liberated to the masses in their two-track form by GDM/Rhino – all are worth seeking out.


Steel Cut Oats #7 focuses on the most glaring omission from a release perspective – the two stunning shows of November 20th and 21st from the Denver Coliseum. I would argue that these two gigs carry more collective fireworks than any of the other multi-night runs of the Fall – St. Louis, Winterland, Boston, and Tampa all cart excellent passages along the way, but these Denver shows really smoke from front to back. Oats #7 illustrates a band riding an incredibly high peak of performance – after five excellent home state shows in early-to-mid November (Winterland x3, San Diego, Los Angeles), the band begins to move eastbound for the duration of the year. The first stop is the Denver Coliseum…

The opening portion of this compilation concentrates on first set material that had become classic live staples of the Dead’s Americana vision – Ramble On Rose, Jack Straw, and Tennessee Jed to name a few. The set is also sprinkled with a particularly feisty Big River and a wonderful, but ‘not quite Tampa’ version of Here Comes Sunshine – still very powerful, yet slinky at the same time.

READ ON for more of Joe’s thoughts on SCT #7 and a tracklist…

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Last Week’s Sauce: January 17th – 23rd (Mayan Holidaze Edition)

There was plenty of live music last week that didn’t take place in Mexico at Mayan Holidaze, but since the taper Z-Man supplied more than enough material to dedicate this entire piece to this festival, I thought why not? We’ve got audio and video from 30db, the rarely taped act The Album Leaf, a 30+ minute segment from the Disco Biscuits, a tune from STS9’s “axe the cables” acoustic set, and an Umphrey’s McGee staple translated into Spanish.

If you don’t want to stay on the site for an hour streaming the individual tracks, you can download all of this week’s audio in one easy to listen to MP3 that we call the Last Week’s Sauce Podcast, click here to download.

30db – Liar, The Good Times Are Killing Me
Date & Venue: 2011-01-21 – Now Sapphire Resort – Mayan Riviera, Mexico
Taper & Show Download: Z-Man

Our first segment of music is Liar from 30db’s 2010 album One Man Show followed by the set-closing cover of The Good Times Are Killing Me by Modest Mouse. While Brendan Bayliss and Jeff Austin already have plenty of tour dates on the books with their primary bands, 30db doesn’t have any future scheduled dates. They are both scheduled to play at Summer Camp 2011, perhaps that will be the host of the next 30db gig.

[audio:https://glidemag.wpengine.com/hiddentrack/wp-content/uploads/2010/07/mayan30dbsauce.mp3]

Wilco’s Handshake Drugs earlier on in the set:

READ ON for tracks from The Album Leaf, tDB, STS9, and Umphrey’s…

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BG: Newport Folk & Jazz Go Non-Profit

Earlier this week, organizers of the famed Newport Jazz and Folk festivals announced that they would be returning to their roots to once again become non-profit events. The granddaddy of

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Wilco Starts Own Label: dBpm Records

Six months ago, guitarist Nils Cline broke the news that Wilco would be starting its own label and today the band finally announced the formation of dBpm Records. The new

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Down There With Avey Tare

Under the Avey Tare moniker, Dave Portner released his debut album, Down There, under this dark shadow, creating electronic soundscapes filled with oscillators and sequencers, odd synthesizers bubbling underneath pitch-shifted vocals and sound effects. He envisioned the album as a swamp (which explains the album's crocodile-themed artwork) and as a journey through hell. Glide spoke with Portner about his debut album, the dark themes permeating through the music, and his love of both filmmaking and the music of Steely Dan.

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Cake: Showroom of Compassion

One can’t help but wonder if this is John McCrea circa 2010, looking back on his band’s heyday and comparing the earlier glory to the difficult task ahead of starting over, attempting to acquire a new audience while at the same time inspiring a new group of fans who may have missed Cake’s previous chart-topping run of hits.  Like the syndicated sitcoms, Cake may not be must-see TV, but they are good enough to get you through the evening. 

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Jamband Festival in Atlantic City?

The summer festival field may become even more crowded this June with a proposed three-day event at Bader Field in Atlantic City. AC mayor Lorenzo Langford spoke about the festival

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Gene Ween Update: All’s Well in Seattle

Yesterday, we shared the disturbing tale of Ween’s tour opener in Vancouver, which quickly turned into a trainwreck of epic proportions due to Gene Ween’s visibly unhinged condition. The band’s

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Dammit Jammit, I Love You

I feel like one of the last remaining Americans whose phone isn’t “smart,” but there haven’t been many apps that make me jealous of those who have embraced iPhones…until today.

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