[rating=7.00] The Austin trio Greyhounds have always had an affinity for the soul music from Memphis. On Cheyenne Valley Drive they wanted to directly capture the Bluff City’s vibe by
[rating=8.00] Phil Madeira is by turns multi- instrumentalist, singer-songwriter, illustrator, painter, producer, sideman, front man. Madeira, by his own admission, is far from a household name but he’s become a
[rating=6.00] There have been surprisingly few raging protest albums during the Trump presidency, most have been resigned to stunned, can’t-believe-this-happened status, but with the release of Ministry’s 14th studio full-length
The writers and director of the new Ted Kennedy biopic sit down to discuss their film and the nature of truth.
[rating=9.00] Eels’ new album, The Deconstruction, nearly didn’t happen. After taking a four-year hiatus from which he wasn’t certain that he’d return, Mark Oliver Everett, the band’s eternal mastermind and
The second night of their two show Brooklyn Bowl stand (3/30) found the Drive-By Truckers in solid form as they blasted out two full hours of engaging guitar rock to
Smiles were plentiful last Thursday night (3/29) at Brooklyn Bowl when Erika Wennerstrom performed her stellar opening set for the Drive-By Truckers. In the first night of two shows in
For seven seasons The Austin Film Festival’s series On Story has given audiences in-depth conversations with some of the most prominent names in the entertainment industry. Now, its eighth season
Albuquerque-based A Hawk and A Hacksaw began in 2000 in the small town of Saumur, France. Initially a solo vehicle for Neutral Milk Hotel drummer Jeremy Barnes, the main impetus
In the latest Wannabe, artist Chris Prunckle offers his illustrated commentary on Gran Pavo Real, the new album from country rockers Great Peacock, in his signature six-panel comic strip form. Click on the image for full resolution
