[rating=6.00] The Music: There is a freaky sense of abandon pinging around Beanpole’s collection of fifteen short tracks; a comically loose, yet supposedly lyrically based concept album on half-food/half human
[rating=8.00] Jake Shimabukuro emerged onto the international pop stage from decidedly humble beginnings. While he made several albums for Sony Japan during the early phase of his career, he remained
[rating=8.00] Joanne Shaw Taylor’s (JST) final Ruf recording was the terrific live CD/DVD Songs from the Road. After leaving Ruf, JST made two albums that received little distribution in the
[rating=8.00] This writer has witnessed Gina Sicilia’s musical growth first-hand, recalling a bit shy, nervous then Philadelphia-based Sicilia in her early twenties (before she released any albums), and comparing that
Ethan Hawke has crafted the best biopic in years.
[rating=8.00] It’s strange to think how easy it is to take for granted something as omnipresent as the sky. In today’s world of selfies and screenshots, where productivity and output
Andy Platts and Shawn Lee of Young Gun Silver Fox shouldn’t dismiss the term yacht rock when describing their new album AM Waves and its brand of of 70’s SoCal-infused
San Francisco’s champions of overcast pop-heavy rock n’ roll, Dangermaker, have a very solid track record, which their forthcoming sophomore album Run succeeds in solidifying further. Picking up where they left off with
Musician turned actor Ben Dickey discusses his role in Ethan Hawke’s Blaze Foley biopic, Blaze.
[rating=8.00] Karma for Cheap is Aaron Lee Tasjan’s sophomore release for New West following 2016’s acclaimed Silver Tears. While that one had just enough twang to barely qualify it as
