Today, we’re kicking off a new column of occasional periodicity here at Hidden Track called Tracks of the Trade, whereby we swap stories with some of the more interesting folks in the music industry, the producers. These folks are the sonic equivalent of surgeons; charged not only with the careful dissection of dozens of tiny interactive pieces and ensuring their cohesive functionality, but also developing strong emotional bonds with their patients (often mental), offering varying degrees of bedside manner, and even sharing potentially critical advice.
To kick off the series in style, we invited one of the most prolific producers/mixers in music today, Peter Katis, to drop by to chew the fat. Peter Katis has collaborated on countless modern classics by the likes of the National, Frightened Rabbit, Interpol, Fanfarlo, Tokyo Police Club, Jonsi (Sigur Ros), and The Get Up Kids.
The “Sound” of “Music”
In thinking about our little surgeon analogy, in a likeness to the way we all go about choosing a doctor, it’s important to understand the mannerisms of a producer. After all, you have to like the person as much as the work. Specific to music, different producers take different positions as to where their role fits in with the musicians.
“I’m on the opposite end of the spectrum than say someone like a Rick Rubin. He really focuses on the songwriting aspect, the arrangements, the words, whereas to me, those things like lyrics for a band, that’s their own thing. I really don’t feel comfortable messing with that.” READ ON…
