Interpol’s seventh LP The Other Side of Make-Believe will be released July 15th on Matador and the always dark and stylish NYC band brought their ominous sounds to St. Paul’s
Interpol continues to create quality over quantity on its discography that has spanned since 2002 with the breakthrough Turn On The The Bright Lights, which continues to still sound novelly
This fall, Interpol and Spoon will join forces for the “Lights, Camera, Factions” tour, a coast-to-coast run of North American co-headline dates that will also feature openers The Goon Sax,
This spring, Interpol will embark on its first tour in two years with dates across the US, UK, and EU. The US leg of the tour kicks off in Dallas,
The lineup for this year’s Coachella dropped early this morning and it’s no joke. Goldenvoice put together a well-rounded bill that starts with headliners Arcade Fire, Kings of Leon, The Strokes and Kanye West and includes HT faves The Felice Brothers, Tame Impala and Trampled By Turtles.
Here’s a look at the lineup in poster form…
Coachella 2011 takes place at Empire Polo Club in Indio, CA on April 15 – 17. Tickets go on sale this Friday at 10 AM PST.
READ ON for an A to Z (or ! to Z) rundown of the bill…
As Yo La Tengo gears up for the start of their semi-annual eight-night Hannukah run at Maxwell’s, which gets underway on December 1, the Hoboken-based band has announced a unique
With their new self-titled LP, Interpol fail to awake from their nap and instead have created an album that wraps the listener in a blanket, slips them a sleeping pill and puts them to bed for the night. Loosely based on the concept of a disintegrating relationship, the band shuffles out one tired, mopey dirge after the next as they fail to give the listener any reason to care about the lyrics let alone turn up the volume dial and rock out.
Today, we’re kicking off a new column of occasional periodicity here at Hidden Track called Tracks of the Trade, whereby we swap stories with some of the more interesting folks in the music industry, the producers. These folks are the sonic equivalent of surgeons; charged not only with the careful dissection of dozens of tiny interactive pieces and ensuring their cohesive functionality, but also developing strong emotional bonds with their patients (often mental), offering varying degrees of bedside manner, and even sharing potentially critical advice.
To kick off the series in style, we invited one of the most prolific producers/mixers in music today, Peter Katis, to drop by to chew the fat. Peter Katis has collaborated on countless modern classics by the likes of the National, Frightened Rabbit, Interpol, Fanfarlo, Tokyo Police Club, Jonsi (Sigur Ros), and The Get Up Kids.
The “Sound” of “Music”
In thinking about our little surgeon analogy, in a likeness to the way we all go about choosing a doctor, it’s important to understand the mannerisms of a producer. After all, you have to like the person as much as the work. Specific to music, different producers take different positions as to where their role fits in with the musicians.
“I’m on the opposite end of the spectrum than say someone like a Rick Rubin. He really focuses on the songwriting aspect, the arrangements, the words, whereas to me, those things like lyrics for a band, that’s their own thing. I really don’t feel comfortable messing with that.” READ ON…
The energy on Friday night was unbeatable, and the show was example of how Interpol is a band that is confident, and ready to call the shots – anytime, anyplace.
Although it’s unfair to compare Our Love to Interpol’s powerful debut, Turn on the Bright Lights, it’s easy to be disappointed. even it still holds that 4:00 am Interpol vibe.
