Another Fiasco: If Never Was Enough
On the recently released If Never Was Enough, the quintet exudes Zepplin-esque bravado in exorcising its rock and roll demons.
On the recently released If Never Was Enough, the quintet exudes Zepplin-esque bravado in exorcising its rock and roll demons.
Bump’s strength lies in an esthetic assemblage of layers and hooks; a sonic candy-coating for the core compositions that are overtly accessible.
The instrumental collection breaks down boundaries with each beat, turning familiar grooves into pulpits for fine-tuned, prodigious forays into music’s outer-limits.
Inspired by New York City after 4 a.m., Elefant’s sophomore release, The Black Magic Show, invokes a dark world of late nights, early mornings, lost lovers and drowned dreams.
Sludge Test, Gutbucket’s third release, finds the quartet invariably manipulating time signatures and sewing together misplaced keys with a flippant regard for concrete song structure.
Building on a laid-back, beach vibe underscored by dub and reggae beats, Australian import The Beautiful Girls has shaped a mellow collection of electric roots music in We’re Already Gone.
Ten years as a band, and Centro-matic’s newest album has been heralded as the band’s best yet by peers like Patterson Hood of the Drive-By Truckers. Will Johnson and company show a polish that has burned brighter with each proper release.
It’s been nearly four years since dub reggae collective Dubconscious began spreading its bass-tempered sound around Athens, GA. Since then, their socially conscious sound has grown louder, and now they embark on a west coast tour to High Sierra.
With a good set of headphones and closed eyes, Elko can almost entirely deliver the Railroad Earth experience.
The band recently reissued this groundbreaking release with new packaging and three additional tracks, further affirming the sonic shift caused the characteristic tempo-bending time signatures and Vonnegut -like storytelling.