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Wednesday Intermezzo: Happy Birthday Phish

Back on December 2, 1983, Phish played their first gig for an unappreciative crowd at the Harris-Millis Cafeteria on the campus of the University of Vermont. Tonight, the band celebrates

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Widespread Panic Archives – Porch Songs

So far all but one of the fabulous Widespread Panic Archives releases have been from pristine multi-track recordings. Today, the band announced that they will start releasing two-track recordings with

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Last Week’s Sauce: November 23rd – 29th

Last Week’s Sauce features recordings of shows from the previous week.

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[Thanks to stober for this week’s photo]

Artist & Title: Brooklyn Bowl All Stars – Dear Mr. Fantasy
Date & Venue: 2009-11-28 Brooklyn Bowl, New York NY
Taper & Show Download: Dave Mallick

On November 28th, the Brooklyn Bowl hosted a care package assembly party and people were encouraged to show up with items to donate and/or cash donations for the troops overseas. The evening concluded with a performance from the Brooklyn Bowl All Stars, which featured members of Stephen Kellogg & The Sixers, State Radio, Guster, and fun. The Brooklyn Bowl will be the scene of Phish after-shows the next three nights with a great lineup of Everyone Orchestra tonight and tomorrow, and Motion Potion on Friday.

[audio:https://glidemag.wpengine.com/hiddentrack/wp-content/uploads/2009/12/brooklynsauce.mp3]

READ ON for tracks from From Good Homes, Guitarness, Phish and WSP…

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Dream Focused: Grand Junction

For those of you just tuning in to Dream Focused, we have been examining Umphrey’s McGee’s new style of jamming; a departure from the ADD driven metal mania and an exploration into a cohesive groove.

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[Photo from 11/11 – Toronto by Tammy Wetzel]

This edition finds the boys at The Mesa Theater in Grand Junction, CO. Off the beaten path and deep into tour, the band was in excellent form for a packed house and wrote an amazing setlist. Not only was the song selection fantastic, the improvisation this night was some of the best all fall.

We start with a particularly groovy version of August. The song has what Umphreaks call an “implied” Jimmy Stewart. This Stew is patient and winds up being a fairly danceable section with a great Bayliss solo to end the tune.

[audio:https://glidemag.wpengine.com/hiddentrack/wp-content/uploads/2009/12/august.mp3]

The next section is a run of songs that start Set II. This is how you want a second set to open; old school segue with very fluid and tight improv sections. Front Porch > Resolution > Front Porch winds up going many different places with the utmost attention to the crowd’s energy.

READ ON for more Umphrey’s audio from Grand Junction…

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Video: Jason Segel – 315-329-6673

Actor Jason Segel has previously showcased his knack for clever songwriting in Forgetting Sarah Marshall with his unforgettable songs for his character’s Dracula musical. The How I Met Your Mother

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Noise Report: The Low Anthem

Words: Jonathan ” Kos” Kosakow

Video & Photos: Curtis Stiles

In August of 2007, a blue station wagon pulled up to the Rockwood Music Hall on Manhattan’s Lower East Side. After checking to make sure they were legally parked, Jeff Prystowsky and Ben Knox Miller unloaded their own gear and carted it to the small stage. Rockwood, though comfortable and with pristine sound, only holds a handful of people, so it’s not spacious enough to host any large band – or even a small one with a large following. On that night, the room was hardly at capacity, but the two members who comprised The Low Anthem were able to grab hold the ears of every listener in the small, dimly lit brick room. And, based on the post-show conversation, I was not the only one who felt they had a music-making future ahead of them.

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I saw them again two years later at The Bell House in Brooklyn, in August of 2009, opening for Surprise Me Mr. Davis featuring Marco Benevento (a welcome addition to the bill). As Miller told me, Surprise Me Mr. Davis was the first band to ask The Low Anthem to tour with them, so it was a comfortable match-up for both (and it made for a nice encore as they joined forces on a couple of tunes). The video below is a gospel standard the trio played that night, Don’t Let Nobody Turn You Around…

Though I had seen the Anthem multiple times between these two shows, it was interesting and inspiring to watch the group, now a trio including Jocie Adams, gain popularity while also growing musically.

READ ON for more from the Noise Report…

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Venue Segues: The Road to MSG

For an example of how the Phish fanbase grew exponentially in 1994, you need to look no further than at the venues the quartet played in New York City that

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Jeff Beck and Eric Clapton to Play MSG

As we await the first multi-night run of Phish shows at Madison Square Garden in 11 years, we came across word that another fantastic act will play The Garden in

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Review: Guster @ the Beacon Theatre

Longtime friend of HT Joe Madonna has contributed news and photos to the site over the past few years. Joe recently attended a Guster concert at the Beacon Theatre in New York City and wanted to share some thoughts on the show with our readers. Take it away, Joe…

Lost and Gone Forever, besides being Guster’s 3rd album, is classic. It has horns, it has rhythm, fans whistling and Page McConnell of Phish playing theremin. It’s classic! On Saturday night, we got to hear this amazing set live in all its glory. Fans young and old filled the historic theater over two nights to see the New Englanders rock this classic piece of work. There aren’t many bands that can pull off playing their whole album, but Guster pulled it off.

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[Guster joined by producer Steve Lillywhite on bass]

Guster’s first set was a mix of old and new tracks, including a new song called This Could All Be Yours. The band dug deep and played X-Ray Eyes from 1998’s Goldfly. As they sometimes do live, Guster jammed into Blue Oyster Cult’s Don’t Fear The Reaper during their original Red Oyster Cult.

To close the first set of the show,they played a dance-hall version of Airport Song which had a very Passion Pit feel to it. Multi-instrumentalist Joe Pisapia’s dazzling keyboard work made it rock out. Old school fans threw ping-pong balls on stage to the band during the song. The band took a quick setbreak, and then came back out to a cheering crowd as Prince’s 1999 was played over the PA. That was a bit fitting since the album came out then.

READ ON for more from Joe on Guster @ the Beacon…

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