
The Gregg Allman Band – ‘One Night In DC, May 15 1984’ (ALBUM REVIEW)
The curators of the Gregg Allman Live series set a high bar for themselves through last year’s Uncle Sam’s release, but with One Night In DC, May 15 1984, the
The curators of the Gregg Allman Live series set a high bar for themselves through last year’s Uncle Sam’s release, but with One Night In DC, May 15 1984, the
Australian genre-benders and punk manipulators Tropical Fuck Storm have never been the band to pigeonhole, and it would be a fool’s errand to try. Even in its rawest form, their
Willie Nile has been releasing records since the 1980s and while he has always been a remarkably dependable flag bearer of great American rock music, right up there with Dylan,
There’s an unpretentious quality to Elijah Johnston’s subjects that makes his songs deeply accessible. On Stupid Soul, the Atlanta artist covers a wide swath of topics from the seemingly mundane
Most artists signed to the premier blues label, Alligator, have established careers; however, occasionally, youthful talent emerges, such as Louisiana-born D.K. Harrell, a skillful guitarist, accomplished songwriter, and powerful vocalist. The 27-year-old
Norman Greenbaum’s 1969 debut solo album, Spirit in the Sky, often gets distilled down to its one iconic single, but there’s more to explore beneath that fuzzed guitar riff. Produced
The Western Kentucky singer-songwriter S.G. Goodman may be the best writer of Southern Gothic songs since Lucinda Williams first brought her genius to the forefront in the ‘90s. Goodman’s distinctive Kentucky drawl also
Welcome back, James McMurtry. It’s been four years since 2021’s The Horses and The Hounds. We’ve missed his wit, political insights, and unparalleled storytelling. These new songs on The Black
With Early Waves, Chicago drummer and composer Peter Manheim emerges not just as a sideman with range, but as a sonic architect capable of designing entire musical ecosystems. A follow-up
For their newest release Bo Dollis Jr. & The Wild Magnolias went upriver to inject some Memphis blues and soul into their New Orleans second line sound. Chip Off The