Reviews

Funny Games: Feat: Naomi Watts, Tim Roth, Michael Pitt

Funny Games, a shot-for-shot remake of Michael Haneke's Austrian 1997 film, is the sort of film that really shouldn't be spoiled, so I'll simply sum it up by saying that two young imps (Pitt and Corbett, who are decidedly more adorable than their Austrian counterparts) thrust themselves into the lives of a family (Watts and Roth), and force upon the family their own unique brand of entertainment.

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Lettuce : Sullivan Hall, NY NY 2.29.08

After a few years spent pursuing other projects, the members of Lettuce finally regrouped for a two-night stand at Sullivan Hall in support of RAGE!, which will be released April 22. (Note to all funk fans: Buy this album; it’s outstanding.)

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Against Me!, Serj Tankian, Foo Fighters: Wachovia Spectrum, Philadelphia, PA 2/21/08

Walking through the hallways of the Wachovia Spectrum, a sense of history lingered through the photos of all of the amazing musicians, athletes, and performers that have graced the arena in south Philadelphia. However, recent talks about removing the venue shadow many of those memories, but there is one thing for sure, Dave Grohl and Foo Fighters came to tear down the walls a bit early.

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Air Traffic: Fractured Life

Air Traffic have revealed that their music “sounds like nobody else,” which might be the case if Snow Patrol, Coldplay and Keane were still playing the pub circuit. Air Traffic’s debut album, Fractured Life, which was released last summer in England before its February American release, gives the listeners more of what we’ve heard before in reference to the above mentioned bands.

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Jacob Golden: Revenge Songs

Singer-songwriter Jacob Golden has unleashed his stash of break-up songs, and it appears his heart is still aching. The 11 sad tunes that make up Revenge Songs, Golden’s mighty debut, cover a lot of ground, but mostly lament on a relationship that’s “not around anymore.” And that’s putting it lightly.

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Rafter: Sex Death Cassette

he discovery of an abandoned boom box on a city street would be expected to spew the visceral beats that Rafter creates, his low-fi in approach oddly animated in presence, but infectious none-the-less.

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