November 2007

Ian Hunter: Shrunken Heads

As leader of Mott the Hoople, Ian Hunter was as vulnerable as he was acerbic, seeing rock and roll as a metaphor for all facets of the human condition. The perpetually-shaded iconoclast has continued this work through a dozen post-Mott solo albums, the success of which has depended, as is the case with most literate songwriters, on the balance between musicianship/production and the material as means to a message.

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The Harlem Experiment: Various Artists

Producer Aaron Levinson and Ropeadope Records founder Andy Hurwitz return with another genre-bending musical tribute to a specific cultural breeding ground. But unlike Philadelphia Experiment and Detroit Experiment, this one spotlights a single neighborhood, Harlem, one of the most artistically fertile areas in the country. Structured as an imaginary AM radio transmission, “hosted” by Harlem DJ muMs—and featuring a talented house band—Harlem Experiment weaves an aural tapestry of funk, blues, jazz, salsa, hip-hop and beyond.

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Boss Sounds Reggae Festival Returns

Having been promoting reggae in Newcastle for the past two years Boss Sounds is proud to announce its return. The 2007 Boss Sounds festival will launch on the 23rd –

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Patton Oswalt: Werewolves & Lollipops

Lollipops is the latest offering from alt.comedian Patton Oswalt. Hopefully you know Oswalt as the mastermind behind the brilliant Comedians of Comedy – it’s the antithesis of Dane Cook and Blue Collar Comedy, meaning smart and funny. Odds are though you recognize him from his stint on The King of Queens or from this past summer’s Ratatouille – so you may need to forget your G-rated perception of him before settling into stand-up act.

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RatDog: North Fork Theater, Westbury, NY 10/30/07

Opening a two-night stand at this curious Long Island theater in-the-round, Weir and his crew were in satisfaction delivery mode, going for the familiar—Dylan chestnuts, Bob-sung favorites, a few fuzzy psyche-out moments—without taking too many chances until the end. Their opening run from "Shakedown" on was fun, but cursory; it wouldn't be until a slow-burning, wholly dramatic "Loser" that they'd really lock in. Steve Kimock too, was a colorist up until that point, and only keyboardist Jeff Chimenti—absolutely this band's undersung hero—had really grabbed the limelight, leaning barrelhouse for "Minglewood Blues."

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