2009

Review: David Byrne @ Wolf Trap

In Stop Making Sense, Talking Heads’ magnificent 1984 concert film, you don’t see a lingering shot of the audience until the film’s final song, Crosseyed and Painless. Until this final climactic guitar workout, the audience is purposefully kept hidden — David Byrne and director Jonathan Demme did it so the film-viewing audience could form their own opinion of the show, uninfluenced by crowd reaction. When you finally do see the crowd, they’re all dancing uncontrollably, seemingly enthralled by the performance.

[Photos of David Byrne at Bonnaroo by Dave Vann]

It’s somewhat fitting then, that at Byrne’s June 6 performance at Wolf Trap in Vienna, Va., it took that very song — 11 songs into the 2-hour set — to finally get the typically reserved Wolf Trap crowd up and out of their seats. Maybe it’s understandable; it was the first real Heads heavy hitter in a set which — to that point — was dominant on Byrne’s other work. Perhaps it’s simple irony; just as Stop Making Sense’s Crosseyed and Painless gives visual evidence to Byrne’s power over an audience, the song still does the same thing 25 years later.

And it was the Talking Heads songs that proved most effective and garnered the biggest reactions from the crowd all night (despite Byrne never uttering the band’s name). Byrne smartly tailored his show as a back-heavy affair: after Crosseyed, he played seven Talking Heads songs, making it 11 out of 20 for the night. But where Byrne in the past had played Talking Heads songs with his various solo bands as re-arranged and re-imagined pieces (Example: a slowing down of This Must Be The Place (Naïve Melody)), here Byrne and his band largely stuck to the originally Byrne/Eno arrangements.

READ ON for more of Rudi’s thoughts on the David Byrne show…

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Gogol Bordello: Higher Ground, Burlington, VT 6/6/09

Burlington, Vermont loves Gogol Bordello. Front-man Eugene Hutz has a long time affiliation with “B-Town” since finding himself in the Queen City as the final destination of a refugee relocation program back in 1991 and the city helped him nurture his already extreme musical ambitions. He repays that kindness in full every time he brings Gogol Bordello to town, this time being no exception.

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Cracker – Milk & Honey With David Lowery

Signing with a new record label (Savoy/429 Records) Cracker returns with the usual suspects: Lowery’s long-time partner, Johnny Hickman, drummer Frank Funaro and bassist Sal Maida.  Taking a new approach to their creative process, Sunrise is a collaborative effort by all four bandmates. Surprisingly self-disciplined, they took one week every two months between tours to write together over the course of a year.  The result was a creative outpouring with a strong common thread – all four musicians came of age playing in the origins of punk and new wave and once again found those sounds rising up.

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Best Of Bonnaroo 2009 On The Net

The eighth annual Bonnaroo Music & Arts Festival kicked off late Thursday afternoon, and while the weather may not have cooperated by all accounts things got off to a great

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Reminder: Rothbury Giveaway on Twitter

We wanted to remind our readers that Glide and Hidden Track are giving away a pair of tickets to the Rothbury Festival today using Twitter. Just tweet the message “@glidemag

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Stormy Mondays: Best & Brightest Pianists

I really enjoyed the four part mini-series that ran on the Documentary Channel last month, Icons Among Us: Jazz in the Present Tense, which focused on the quiet revolution currently

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Pullin’ ‘Tubes: Getting Low

Tell me if you’ve heard this one before – band hunkers down in a cabin during the bleak winter months to record and emerges with an album chocked full of

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