Wyllys, longtime HT contributor and Lighting Tech for jamband stalwarts Umphrey’s McGee, leaves the lights behind for his first solo DJ tour. HT had the chance to catch up with Wyllys before he takes the stage on Thursday night at Club Metronome in his current hometown of Burlington opening for another Chicago institution of jam, Future Rock.

Hidden Track: First, I guess we should start from the beginning. How long have you been a DJ? How did you get into the craft?
Wyllys: I was given my first set of turntables at age 15 by one of my dearest friends and longtime collaborators Alan Veniscovsky. We were writing a bunch of songs together and continue to do so to this day. Alan had the decks, which were belt driven, and this archaic mixer to tie the rig together and was like “You need these” as I was starting to get heavy into electronic music at that age. Unfortunately, I was mostly into Drum and Bass and Jungle at the time and trying to learn how to beat match that stuff on belt driven tables would piss off The Pope. So by the time I got direct drive tables I had my shit together pretty well.
HT: Your sets can be anything from House to Drum and Bass to Ambient, etc. How did you end up getting proficient in all these types of music?
W: Like I said, Drum and Bass and Jungle dominated my early record shop trips but with every 10 D and B records I would pick up 4 or 5 Ambient or Experimental records as I have always been a HUGE Brian Eno fan. His whole philosophy on the space between moments being more important than the actual moments really struck a chord with me so I keep my eye on all the new Ambient music coming out and have researched all of the old Tangerine Dream and Can stuff. Jake Cinninger of Umph has really expanded my Can knowledge and I can’t thank him enough for that.
READ ON for more of our conversation with Wyllys…