2011

Tracks of the Trade: Alby Cohen

Without music to decorate it, time is just a bunch of boring production deadlines or dates by which bills must be paid – Frank Zappa

The path to the recording studio was anything but a straight line for Alby Cohen. While he studied jazz at Goddard College under both Ernie Stires and Don Glasgow of the Barbary Coast Jazz Ensemble, he never attended sound school. He had tinkered with 4-tracks in high school and college and knew basic tracking, but initially had more of an interest in being a musician.


He began his musical career by playing drums and singing in a band in Ithaca called Damn Brandy, which led him to take a field semester away from Goddard. As the story unfolds, the band gained some traction and next thing he knew he’d been living and touring out of Ithaca with Damn Brandy for a matter of years. The band recorded a couple of demos and went to studios to do some mastering, but before long, lives got in the way and the band broke up.

After the band split up, Alby moved back to Brooklyn; finished his last year of college remotely; put himself through grad school; and ultimately fell into advertising. He slugged it out in the corporate world, but eventually fell prey to the credit crisis in 2008. He got laid off. Meanwhile, a gentleman named Doug Martin – now his boss – had asked a few years back if he wanted to be involved in a studio he planned to build. The stars eventually aligned with the studio coming to fruition right and Alby hitting a career inflection point, so he decided to go full tilt. Cohen didn’t have much engineering experience at the time, but after realizing over the course of several rounds of corporate interviews that he had to go with his heart. He chose music.

READ ON for more of the Alby Cohen Story…

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Briefly: Two New Trey Fall Tour Dates

The Trey Anastasio Band’s short fall tour just got a little bigger with the addition of a pair of shows in the Carolinas. The septet will perform at the Thomas

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Video: Trombone Shorty & Orleans Avenue – Do To Me

New Orleans youngster Trombone Shorty continues to bring the NOLA sound onto the national stage as he and his band Orleans Avenue performed on Conan Monday night. The song Do To Me is the first single off the  new album For True due out September 13th, which just might catapult Trombone Shorty to household name status. READ ON for the clip…

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Kimya Dawson Reveals Her Thunder Thighs

Kimya Dawson is not preaching to the choir, rather gladly admits standing in the middle, arms around each member, singing her upcoming self-released album, Thunder Thighs due out October 25th via Burnside Distribution.  As Kimya's seventh

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Natural Child: 1971

Natural Child come from Nashville and call themselves “the greatest rock n’ roll band in the world”. Known as much for this bold sense of humor and hard partying ways as much as their rocking live show, the band recently released a 1971 on Infinity Cat Recordings. The sound is raw, loose, and limber, vacillating between the Stones-y demarcation points of bluesy R&B and rollicking acoustic numbers. This ramshackle construction seems to be part of the band’s allure. At any moment self-destruction sounds possible.

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David Byrne: Ride, Rise, Roar

David Byrne, never one to abide by guidelines, is one such artist and his recent film release, Ride, Rise, Roar delivers a healthy balance; satisfying the desire to see the live performances, but also offering a close inspection of the proceedings that make his live shows so arresting. 

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Owl City

The musical project known as Owl City was created by Adam Young in 2007. His electronic music made him a Platinum performer with the hit single “Fireflies” on the album Ocean Eyes. His new record All Things Bright and Beautiful continues that trend and brings him on tour this summer.

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The Weepies Return To Their Folk Music Roots

In anticipation of the 2011 Acoustic Tour, Glide Magazine’s Peter Zimmerman had the distinct pleasure of speaking with both Deb and Steve about the tour and their career in general. What resulted was a enjoyable conversation about the daunting task of choosing (and rehearsing) forty songs for the tour, devising varied setlists, their approach to writing, and perhaps most intriguing, what constitutes a typical day in the life of The Weepies.

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Phish UIC Pavilion Setlist & Skinny: Night Two

After a barn-burner last night, Phish returned to the UIC Pavilion in Chicago for the second of three shows at the 9,250-capacity indoor venue tonight.

[Photo by Joel Berk]


Night two of the UIC run started with a few of Phish’s more silly and short rarities – Dinner and a Movie and Ha Ha Ha. A scorching Chalk Dust Torture gave the audience their first taste of tension and release during Trey Anastasio’s solo. A pair of songs off Round Room – Mexican Cousin and Walls of the Cave – came next and was followed by the old school pairing of Runaway Jim and Foam. I Didn’t Know saw its first action of 2011 as Phish continued to dig deeper into their repertoire. Another well-played Ocelot, the fifth Ginseng Sullivan since the hiatus and a somewhat shaky Wedge led into a Limb By Limb that deliciously moved away from the tune’s main structure. To close the first set, Phish covered The Rolling Stones’ Let It Loose for the first time since they covered Exile On Main Street at Festival 8.

While the opening stanza was light on improvisation, a 20-minute Down With Disease that kicked off set two set a different tone. Disease quickly veered off its standard track, as the band explored a number of interesting spaces, eventually settling into a lengthy transition jam that seemed to zig towards a number of different songs before finally zagging into Twist. Put this Disease at the top of your “must download” list. The group toyed with the beginning of Twist, both in tempo and vocally, during the choruses. Backwards Down The Number Line continues to chase Possum as most played song of 3.0 and after getting the call mid-second set tonight is only two versions behind. A straight-forward Theme led into a Golden Age that contained a spacy end segment that eventually led into a cover of A Day In The Life by The Beatles.

Most of Trey’s You Enjoy Myself solos have been short and to the point over the past few years. For this evening’s second set-closing YEM, Anastasio showed much more patience and built up the pace methodically leading up to a big finish. Sure a three-song encore doesn’t grab the attention last night’s five-song monster did, but the Slave To The Traffic Light that followed Heavy Things was a beaut, while Rocky Top gave the crowd one more chance to get their ya ya’s out. The UIC run and the current leg of Phish tour ends tomorrow.  READ ON for tonight’s setlist and The Skinny…

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