In the Ojibway language, the word Zoongide’ewin means “bravery, courage, the Bear Spirit.” It’s no wonder then that Daniel Monkman adopted Zoon as his musical moniker. The Hamilton-based musician has
Evan Myall is the full-length debut from LA-based singer-songwriter Evan Myall Reiss, who performs and records under the name Evan Myall. Evan has spent the last decade playing guitar, writing
Nick Kizirnis (The Mulchmen, Tobin Sprout’s Eyesinweasel, Cage) has been writing genre-twisting songs for almost thirty years, releasing numerous varied albums and playing small clubs across the U.S. But while
In Pokey LaFarge’s own words, “the man singing these songs isn’t exactly the same man that wrote them.” And that’s probably a good thing. As the album title indicates, LaFarge
Should you be counting, this is the fourth review in this weird year of 2020 for the Jazz at Lincoln Center Orchestra (JLCO) and their label, Blue Engine Records, which
“Best of” albums certainly aren’t always worthwhile representations for artists whose best work is more widespread than unmistakable amongst a chosen few. Such is the case or acoustic guitar/”fearless finger
It is not easy to find a fresh take of the coming-of-age story, which is perhaps what makes Chicago-based Paddlefish’s debut studio album Flyer so appealing. Principal songwriter Owen Misterovich
Dream Hunting in the Valley of the In-Between, the sixth album from experimental indie outfit Man Man, follows the same path laid out by 2013’s On Oni Pond. Like that
Chicano Batman’s 2017 release Freedom Is Free was a breakthrough for the band, blending tropicalia, psych-rock, 70’s looking R&B, and sweet retro-soul sounds. Their 2020 follow up Invisible People is
Legacy Holder is the second album for drummer, composer and bandleader Jonathan Barber who leads a quintet comprised of pianist Taber Gable, guitarist Andrew Renfroe, alto saxophonist Godwin Louis, and bassist Matt Dwonszyk. Vocalist Mar Vilaseca
