What’s it say about a band when a collection of outtakes from their previous studio effort is superior to that album itself? When it’s Lukas Nelson & Promise of the
The God of Mischief leaps to television in a stunner of an episode one.
In James McMurtry’s new effort, The Horses and the Hounds (PRE-ORDER), the acclaimed songwriter backs personal narratives with effortless elegance (“Canola Fields”) and endless energy (“If It Don’t Bleed”). This
Brad Sucks has been doing the home-recorded songs online thing for over twenty years: that can’t be said of many artists, as he was clearly five years ahead of the
Following the widespread critical acclaim lavished upon Vol. 1 everywhere from NPR to Mojo, Bruce Watson’s Bible & Tire Recording Co. is set to release The Last Shall Be First:
Those wild and woolly Scandinavians did it again! The mighty “TBG” (that’s what their loyal fans call the band, buster) returns with You Can’t Handle… The Tremolo Beer Gut on
Like nearly all artists, Kasey Anderson was sidelined by the pandemic as he was forced to put what was supposed to be his final album To the Places We Lived
In a life cut too short too abruptly, Tim Buckley was also just a bit overly idiosyncratic to ascend into the upper echelons of contemporary folk music. Yet, as much
Acclaimed bassist-composer and bandleader Charnett Moffett, as he’s been prone to do throughout his storied career, refines his sound once again for New Love, his seventh leader release for Motema
In the latest Wannabe, artist Chris Prunckle offers his illustrated commentary on Ordinary Life, the new album from ska punk band We Are The Union, in his signature six-panel comic strip form.
