The Kenny Wayne Shepherd Band was originally scheduled to play at Hard Rock Live in Orlando, Florida in February 2021, but due to COVID it was postponed to September 2021.
In a new weekly roundup, Glide drops caustic commentary on selected tracks from release day Friday. Modern Nature – “Brigade” Jack Cooper’s stints with Mazes and Ultimate Painting have developed
After spending the last decade building her Hadestown project into a Broadway phenomenon and reworking traditional folk songs with Bonny Light Horseman, singer-songwriter Anaïs Mitchell has returned with her first
The Mighty Mighty BossToneS, the beloved ska progenitors who formed in Boston 39 years ago and brought the ska-core subgenre into the mainstream, announced they are calling it quits. A statement on
On the first single from FREAKONS, “Blackleg Miner”, (listen below) Sally Timms doles out some rough justice. Taken from their forthcoming self-titled album, FREAKONS track a seam of gorgeous shiny
Simone Felice’s All The Bright Coins hearkens to Nothing Gold Can Stay, the first project he conducted (with Robert ‘Chicken” Burke) after leaving his band of Brothers. Not coincidentally, the
Bill O’Connell’s A Change Is Gonna Come is ideally timed as the pianist, composer, and arranger is fresh off a Grammy nomination for ‘Best Arrangement (Instrumental or A Capella)’ for the
Driven by influences like Fleetwood Mac, the Doors, and Wings; Pale Moon is a musical duo based in Spain made up of Natala Sushchenko and Arni Gudjonsson. In a world full
Silver Liz, the Brooklyn-based husband/wife duo of Carrie and Matt Wagner, is unafraid to explore entirely disparate genres. After releasing their first album in 2017 filled with shoegaze and dream
On 2018’s Black Heaven the San Diego-based, instrumental psychedelic trio Earthless completely shifted gears, scaling down their flights of fury to verse/chorus/verse hard rock offerings with singing. That change in
