White Light White Light starts out like the lovechild of Primal Scream and Kasabian, until the vocals kick in to put that unique Supersystem stamp upon it.
Although the Silversuns are a work in progress and its hard to define if this sort of
Apollo Sunshine kicked off a tour-closing set in Northampton’s Iron Horse Music Hall to a crowd of starry eyed teens whose presence at a gig that started past 11:30 had to have broken a few curfews. The Iron Horse has long been known as the groups “home-base,” so to speak, and seeing as this was the last set the group would be playing before going on a lengthy hiatus, they made sure to put the extra effort into the set for their hometown-fans.
What started as an erratic pop disc unfolds into a slide-guitar, gut-bucket, emotion-spouting masterpiece.
From their Bows and Arrows album to this new release, the Walkmen seemed to be actively experimenting with their sound in the attempt to create something profoundly new and different. And although this unusual album is a largely uninspired mess of sorts, it
Twenty-two years into their career, Yo La Tengo are still at the top of their game. Their genre spanning latest – I Am Not Afraid of You and I Will Beat Your Ass might be the best "mix" CD of the year
Shapes and Sizes, as demonstrated by their self-titled debut, is a band whose focus is on the voice, something akin to Modest Mouse, except they have the appeal of having both a female and a male lead singer.
Through the tributes to the Pixies
Any night is a good night to dig into Dinosaur Jr. but the Warsaw show may have been a really special one, because it turns out the group got a bunch of their equipment stolen after the show. Here’s hoping though that they get it back and their signature sound returns with them for many more bingo hall concerts to come.
