metal Archives - Page 4 of 8

Iron Maiden: The Final Frontier

Bob Lange August 18, 2010 No Comments

After waning over the last couple of albums during Bruce Dickinson’s first stint, two ill-conceived releases with Blaze Bayley and a lackluster return for Dickinson on Brave New World, Iron Maiden stormed back to life with their last two albums and an outstanding tour documentary. Perhaps no other band in their third decade could raise such high hopes for a release, particularly after a four year layoff from the studio.

Dethklok

Deborah J. Draisen October 9, 2009 No Comments

Dethklok's mere presence in any one location for an extended period of time brings fans to their knees, because of their godliness. And I got to interview them. Dethklok is: Nathan “Tonto” Explosion – Frontman and Visionary, Skwisgarr Skwigelf – Lead Guitar, Toki Wartooth – Rhythm Guitar and Keys, Pickles – Drums and William Murderface – Bass.

Mastodon: Crack The Skye

Shane Handler April 23, 2009 No Comments

First things first; just by looking at a picture of Mastodon front-man Brent Hinds, you may not want to stare too hard as his gnarly look, he may jump out of the picture and strangle you to death. But upon listening to his band’s fourth full length effort Crack The Skye, you kind of go the way of Master of Puppets- this shit is heavy by its got melody and texture.

Sepultura: A-Lex

Bob Lange January 15, 2009 No Comments

There's a fine line between grand and grandiose. Most concept albums are so much the latter that they never even get close to the line. Sepultura, veterans of the concept album, aren't close to that line either, but they're on the good side.

Judas Priest: Nostradamus

Shane Handler August 4, 2008 No Comments

. I'd be glad to see Judas Priest push past their established sound and stretch out into new territory, making a case for their continued existence. However, it isn't their music that they were trying to stretch here, it was their egos.

Strangers Die Every Day: Aperture for Departure

Bob Lange April 11, 2008 No Comments

Aperture for Departure, on the other hand allows the rock to slip its bonds and explore a broader musical landscape. At the same time, it loosens classical up with an off-kilter rawness that typical classical performances miss.

Slayer: Christ Illusion

Daniel Michael Alleva October 8, 2007 No Comments

Sadly, Slayer will never get the recognition that they deserve. As has been the story with metal in general, acknowledgement of the influence that Slayer has had on music for the last 25 years is few and far between.

Marilyn Manson: Eat Me Drink Me

Gabriel Scheer September 12, 2007 No Comments

Eat Me, Drink Me is fairly classic Manson, if perhaps lightened up a bit. His voice is every bit as crusty, dark, and angry as ever, and the synths, bass and drums pound out their usual aggressive anger, but the guitar work, in particular, seems to have lightened up, with occasional riffs that don’t sway too far from slack guitar while other guitar lines are straight-up rock ‘n roll.

Metallica: The Videos 1989-2004

Jamie Lee April 18, 2007 No Comments

Metallica has never taken itself lightly. From pure metal (Kill ‘Em All) to pure meltdown (Some Kind of Monster), a strand of crippling tension has always held the quintet together.

Army of Anyone: Spontaneous Invasion

Joanne Schenker January 31, 2007 No Comments

Richard Patrick, the man at the forefront of the rock band Filter for the past ten years has enlisted with bassist Robert DeLeo and guitarist Dean DeLeo –the brothers and musical architects behind Stone Temple Pilots. Add veteran drummer Ray Luzier, formerly of the David Lee Roth band and you have Army of Anyone. Together, the sum is even greater than its parts and the proof is in their self-titled debut album.

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