moe.

A Memory of Music: December 2010

Welcome to another installment of A Memory of Music. Each month, we show you a different side of the scene, so join us for a trip down memory lane for December 2010 and remember to click on the photos for full resolution images. For the month of December it ‘twas the season of Santa Clauses and holiday parties. From Brooklyn to San Francisco, and a few places in between, the bands dressed in their finest to spread the cheer.

[Ryan Stasik, photo by Tim Hara]


December in Chicago is all about Umphrey’s McGee.  Several weeks before their 3-day New Years Eve run, guitarists Brendan Bayliss and Jake Cinninger treated their fans to an intimate acoustic show with lots of guest sit-ins playing both UM songs and a wide range of covers. This year marked the 8th Annual Holiday Show, which benefits the USTORM Foundation. Those who came early were treated to an Umphrey’s Garage Sale where fans could buy vintage merchandise at a discount and a few lucky girls and boys could enjoy a picture with Santa Ryan Stasik.

[Robert Fripp, photo by Jeremy Gordon]


In the spirit of giving, legendary King Crimson guitarist Robert Fripp played four free shows on Dec 3rd and 4th in the Winter Garden of the World Financial Center in Lower Manhattan. The shows were billed as Soundscapes. For those fortunate enough to attend, Robert suggested they may be the last of the “Frippertronics” pieces and possibly his final public performancesREAD ON for more incredible images from December…

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Tour Dates: The Return Of Lauryn Hill

Guess it’s a week to talk about comebacks from the world of hip-hop, as Lauryn Hill has announced a ten-date Northeast tour that will kick off  at the Higher Ground

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Tour Dates: Summer Camp Initial Line Up

As we saw our first snow flakes here in New York City yesterday, there is nothing that gets us through the winter faster and thinking about the warm months ahead,

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Bear Creek Music and Arts Festival: Suwannee Music Park, Live Oak, FL 11/11/2010

his year’s fourth annual Bear Creek Music and Arts Festival might well be remembered as Brrrrrr Creek. There were beautiful daytime temperatures in the low to mid 70’s, but once the sun began to fall into the western sky, so did the temps, with lows in the mid to high 30’s.  As always, though, the hosts, the Suwannee Music Park and festival promoter, Paul Levine, know how to put on a festival. The Suwannee folks get lots of practice though, now hosting multiple festivals throughout the year, including the Allman’s Wanee Festival, Suwannee Springfest,  Magnolia Fest and this year’s new Blackwater Festival.

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Last Week’s Sauce: November 8th – 14th

I apologize that you have not seen a new addition of Last Week’s Sauce in nearly a month, but I have recently switched coasts and am now a resident of San Francisco. I’m settled in and excited to get back to my regular HT columns. This week, we’ll take a listen to a new song from the moe. side project Disgrace, Keller Williams, Jimmy Herring Band and a great acoustic segment to close from Little Feat members Paul Barrere and Fred Tackett.

A reminder, you can download all of this week’s audio in one easy to listen to MP3 that we call the Last Week’s Sauce Podcast, click here to download.

[Thanks to RobC for this week’s photo]

Disgrace – Little Miss Cup Half Empty
Date & Venue: 2010-11-09 Southgate House – Newport, KY
Taper & Show Download: K.C. Cadwallader

moe. has got a new side-project titled Disgrace that features Al, Chuck and Rob on acoustic instruments. In addition to a lot of moe. songs and covers, the project debuted an original at this Kentucky show titled Little Miss Cup Half Empty. Disgrace [tour dates] plays tonight at 8×10 in Baltimore, MD.

[audio:https://glidemag.wpengine.com/hiddentrack/wp-content/uploads/2010/07/disgracesauce.mp3]

READ ON for tracks from Keller Williams, Jimmy Herring Band, and the Paul Barrere and Fred Tackett Acoustic Duo…

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Cover Wars: Willin’ Edition

We’re still abuzz from Phish’s fantastic interpretation of Little Feat’s seminal 1978 live album Waiting For Columbus that we wanted to continue to pay tribute to the highly influential, yet somehow criminally underrated band.

Cover Wars


This week we’re placing that act’s classic trucker anthem, Willin’, into the squared circle – a song that has been rumored as the reason that Lowell George was asked to leave Frank Zappa’s Mothers Of Invention, and thus the impetus for the formation of Little Feat. The track originally appeared on the band’s self-titled debut sung in a sparse, talking, country-blues style by George and featured Ry Cooder backing him on steel guitar. The definitive version of tune was reworked for Little Feat’s sophomore release Sailin Shoes, and given the full band treatment with country-rock harmonies and some great piano work courtesy of Billy Payne.

Contestants:

The Black Crowes have no problem wearing their influences right on their sleeve with the band owing a great debt to Little Feat’s potent mix of rock, soul, gospel, jazz, country and funk. The Robinson Brothers & Co. have been covering Willin’ consistently since all the way back in 1992, with Chris channeling the ghost of Lowell George. Source: 2009-11-07

As an added bonus, here’s The Crowes with John Popper and the members of Wilco from a HORDE tour stop on August 27, 1995…


READ ON for more covers of Willin’ from the likes of moe., Uncle Tupelo, Linda Ronstadt, Bob Dylan, The Byrds and others…

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Tour Dates: Festival Of Lights, Vol. 5

It may seem a bit early to start thinking about the holiday season, since we’ve barely even made it to Halloween, but believe it or Hannukah is right around the

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Review: moe.down 11 @ Gelston Castle

moe.down 11 @ Gelston Castle, September 3 – 5

While some things have changed this year at the 11th annual moe.down, some things will always remain the same. From the mayor of moe.ville to Al.nouncements, it sometimes seems like the past ten years blended together, but this year the move an hour down the road to Gelston Castle in Mohawk, NY shook things up for even the most seasoned moe.ron. From amazing sound magnified by the natural amphitheater to the light show on stage enhanced by beautifully glowing lanterns and spectacular firework show, the entire weekend played off of the beautiful surroundings of the Mohawk Valley. While the castle itself was a bit smaller than expected and all but in ruins, this site surely had many things going for it.

[All photos by Jeremy Gordon]


Musically, the weekend followed the standard moe.down set up with the host band’s handpicked favorites. With the new site this year, one of the biggest changes was a true second stage – named the Buzz Stage – which replaced the Beer Tent. As in past years, a few up and coming bands were given the opportunity to play multiple sets on the second stage which gave fans more than just a short taste of these stellar acts.

The Macpodz started things up for fans by keeping the funky jazz flowing on Friday, while Turbine – who also played a 5am stealth set among the RVs – took over during the day Saturday. Monkey Wrench, former tour mates of moe., had fun onstage playing to covers like Yellow Submarine and Escape (the Pina Colada song). Orgone, who was still unknown to most fans, took everyone by surprise with Fanny Franklin just bursting at the seams with enough energy to keep everyone moving and staying warm as the evening winds whipped up the hill.

READ ON for more of Carla’s thoughts and Jeremy’s photos from last weekend’s moe.down 11 at Gelston Castle in Mohawk, NY…

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Review: Northwest String Summit 2010

Words and Images: Allison Taich

Northwest String Summit @ Horning’s Hideout, July 16-18

The Northwest String Summit (NWSS) celebrated its ninth anniversary July 16-18, 2010 at Horning’s Hideout in North Plains, Oregon. The three day music festival hosted by Yonder Mountain String Band (YMSB) included a cumulative nine hours worth of live YMSB, plus an outstanding roundup of string musicians including: Danny Barnes, Darol Anger and Great American Taxi. The Rhythm Devils and moe. both joined the fun electrifying the otherwise acoustic lineup.


There were several factors that set the NWSS apart from all other music festivals I have attended. For starters the grounds of Horning’s Hideout were immaculate. The layout was full of rolling hills, thick forests of lush browns and greens, a streaming river, pleasant lakes, wooded camp grounds, fearless wild peacocks and the list goes on. Every personality I crossed was more exceptional than the next; fans who attended wanted to be there, they were there for the music. There was no seedy scene, no pushy or undesirable individuals, simply people looking to celebrate acoustic music and have a good time. At nighttime the forests echoed with the plucking of strings from varying campsite jams, followed by the hoots and hollers of excited festival goers.

Music wise there was only one stage meaning one band played at a time. There was no overlapping, no running back and forth, no missing portions of sets and no need to leave sets early in order to catch another band. Each band laid down a winning performance making it hard to select a favorite. It seemed that every performance was charged by audience enthusiasm and energy. Bands reciprocated by churning out some of the wildest sets of acoustic music. READ ON for more from Allison on the NWSS…

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