umphrey’s mcgee

Cover Wars: Band On The Run Edition

With Paul McCartney’s previous two albums (Wild Life and Red Rose Speedway) not being especially critically acclaimed, many see his 1973 release Band On The Run as something of a statement piece, and what a statement it was. Paul once shared that the title track of the album was built around something guitarist George Harrison would say during The Beatles’ business meetings, “If we ever get out of here”.

Cover Wars

Side Note: Band On The Run is a great addition to the “What album is Phish going to cover?” discussion that friends of yours are undoubtedly having.

And now, the covers:

The Brew: Leading off this week we’ve got The Brew. Check the rest of this show for a great recording and additional covers from Kansas and The Police. Source: 5-14-2009

[audio:https://glidemag.wpengine.com/hiddentrack/wp-content/uploads/2009/06/bandbrew.mp3]

READ ON for the lowdown on the rest of this week’s contestants…

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Last Week’s Sauce: May 24th – 30th

Last Week’s Sauce is a recurring column featuring recordings of shows that took place the previous week. Thanks to tgakidis for this week’s photo.

Last Week's Sauce

When I started writing this weekly feature, I had the goal of showcasing new bands each week that had not previously appeared on Last Week’s Sauce. Well that’s officially over. There were just too many HT favorites out on the road last week for me to continue that trend…

Artist & Title: The Disco Biscuits – Uber Glue > Sabre Dance
Date & Venue: 2009-05-30 – Red Rocks, Morrison CO
Taper & Show Download: Matt Quinn

The Disco Biscuits crossed a venue off their “to play” list this past weekend when they packed over 6000 fans into Red Rocks for an event they dubbed Bisco Inferno. This song combination features one of tDB’s newer instrumental compositions paired with an Aram Khachaturian’s composition from 1942 (an instrumental that had not been played by tDB in 5+ years). Sabre Dance has been used in many television shows, movies, etc…but the image it always conjures up in my mind is that of the 1985 flick Pee Wee’s Big Adventure. tDB play tonight in Providence.

[audio:https://glidemag.wpengine.com/hiddentrack/wp-content/uploads/2009/05/tdbsauce.mp3]

READ ON for more entries from the likes of Phish and Umphrey’s McGee…

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Cover Wars: Can’t You Hear Me Knocking

Can’t You Hear Me Knocking is a bangin’ tune off of the 1971 album Sticky Fingers. The song didn’t really get into the live rotation until the Forty Licks tour. Check out this excerpt from According To The Rolling Stones about the song selection process for that tour and how Keith supposedly thought a previous live attempt at the song was a total trainwreck. The middle Santana-flavored-section just begs for jambands to cover this song.

Cover Wars

Checking in on last week’s Ballad Of Curtis Loew edition, Phish has emerged victorious. Hopefully this means it comes off the shelf. Hey, it could happen, it worked for A Day In The Life.

moe.: moe. has played this 21 times but it has not hit the live stage since June of 2007. This is a great sounding tape from moe. down V in Turin NY. Source: 9-4-2004

[audio:https://glidemag.wpengine.com/hiddentrack/wp-content/uploads/2009/05/moeknock.mp3]

READ ON for more of this week’s contestants…

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Tour Dates: Steve Goes To Townes

On May 12, politically charged alt.country troubadour Steve Earle is set to release his latest album, Townes, a 15 song tribute record honoring the work of his friend and mentor

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Tour Dates: Rodriguez First National Tour

Last year, I was infatuated with Light In The Attic’s reissue of Cold Fact, the rediscovered lost classic of psychedelic-soul and folk-rock from a guy simply known as Rodriguez. The

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Bust Outs: Caps and Nuts Edition

Ever since Al Gore invented rap in the ’70s, this relatively new breed of music has set the standard for cool. There’s simply no denying a good gangsta rap phase during your youth involving St. Ides, repeated viewings of Boyz in the Hood and Menace 2 Society and of course blasting bass out of your badass 1985 Mazda 626 (ok, that one was just me). With that in mind, today’s Bust Outs is dedicated to great gangsta rap covers by some of our favorite jambands as they channel their inner G and crank out some noble jams courtesy of Dre, Snoop, Warren G, Nate Dogg, Nelly, and Will Smith.

Perpetual Groove, Macumba – 12/31/08

In the midst of a 21 minute Macumba, PGroove’s catchy Penguin-themed favorite, the band goes AWOL into a stellar rap medley in front of an almost hometown New Years show in Athens, GA. Covering a marathon arsenal including Pass the Mic (Beastie Boys), Let Yourself Go (Big Daddy Kane), California (Athens) Love (2Pac), 99 Problems (Jay Z), Lollipop (Lil Wayne), Whatever You Like (TI), Gin and Juice (Snoop) and lots more, Brock Butler and Perpetual Groove gave fans a real New Years treat as they basically covered the past 20 years of rap in one medley.

READ ON after the jump for more rap cover Bust Outs…

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Umphrey’s McGee Kicks Off Virtual Tour

With album sales continuing their steady decline, artists have had to think outside the box to market their new releases. Umphrey’s McGee came up with a number of innovative ways

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Editorial: UM Gives Fans Their Walletsworth

Instant gratification. That’s the name of the game these days with music fans. With a few clicks of the mouse and a quick trip to Google one can go and find almost any album by any artist. And while today’s mainstream artists are hardly starving, it’s safe to say not many are making money off of albums and that’s the trend we’ve been seeing since Napster started.

I mean hell, look at Britney Spears’ most recent release Circus. She had to host an infomercial on MTV just to sell her CD (aptly titled For the Record). She played the “feel sorry for me” card quite well and guess what? It actually worked — she’s selling albums. So are infomercials the way to go? Artists as huge as Britney have to stoop to this level of salesmanship. Artists are struggling to find new and inventive ways to market their music. The industry is in knots trying to figure out how to market and distribute albums, but also do so at a minimal cost.

READ ON to find out just what sets UM’s Mantis apart from the pack…

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Wade’s World: The Recording of History

Someone once said that History becomes Fiction in the very act of writing it down. When the Phish tour dates were finally announced I thought a lot about that quote and my recent position in life.

I find myself almost 30 and well on the path that Phish themselves sent me on almost 14 years ago. The upside is my career is everything I’ve ever wanted and I couldn’t be happier. The downside is I won’t be able to just run off and follow the impetus for my career in the music business like I use to. A new, younger touring generation will be filling the aisles this summer and that brings up, dare I say… bittersweet feelings. I feel there is a need for the veterans to address the new rats with where we went wrong in order to hopefully not make this Era of Phishtory as destructive as the last.

To You, the New Class of Phishtorians I offer these words of warning and encouragement. It’s great to see that Phish is still scoring young in the demographics and you will be finding a way to tell your parents you won’t be a camp counselor this year, but rather, discarding the trappings of The Machine and getting in your car to cruise the land of the brave and free (thank you Ween).

Here are some pointers from a guy who has been in the trenches, learned from said trenches, and now, am getting paid to live on a tour bus and see great music night in and night out. In short: These words come road tested.

READ ON for Wade’s three tips for post-Breakup Phish fans…

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