
Mooney Suzuki: Have Mercy
The record is a very bizarre change in direction that falls apart at the seam, with the Brit-pop of “Ashes” the only early redeeming moment.
The record is a very bizarre change in direction that falls apart at the seam, with the Brit-pop of “Ashes” the only early redeeming moment.
After keeping the Stones’ recent live tours from completely falling off the rails, guitarist Ronnie Wood has issued a vast and enjoyable compilation of his personal best. The two-disc, 27-track collection contains his solo work and group work. Disc one is all solo beginning with the reggae-tinged “I Can Feel The Fire” featuring David Bowie on backing vocals while “Cancels Everything” is a mellow, roots-y tune with Keith Richards helping out.
British rock/psychedelic/dance/blues outfit Primal Scream went in a new direction with albums like XTRMNTR and Evil Heat. But for every crazed, brilliant mash-up of these genres, Primal Scream can also deliver straightforward, sleazy rock and roll. And this is what their latest, Riot City Blues is all about.
As the drummer of The Police, Stewart Copeland was an integral part of their success. And fortunately he was able to cash in on that success at the time by purchasing a Super 8 video camera. The result is Everybody Stares: The Police Inside Out, an impressive, insightful and antic-tinged look at how a band goes from nowhere to somewhere big, while getting lost in the journey.
Like the Magic Numbers’ recent debut before them, Mohair is bound to make another dent as new classic pop songwriters from across the way.
The latest offering from acclaimed British singer-songwriter Thea Gilmore isn’t that far of a departure from her Avalanche or Songs From The Gutter releases – full of quality songs and equally high levels of musicianship.
It’s a movie about a rock ‘n’ roll lifestyle, but there are no VH1 “Behind The Music” moments here – unless you consider shopping for organic vegetables as crazy as thrashing hotel rooms after orgies.
Chris Farlowe and Van Morrison are in a class by themselves when it comes to British soul, but James Hunter seems to be scratching at the door containing those stars.
or the first time in years, Ani DiFranco recently took some time off, as the touring grind was finally wearing her down. Following a live album (Carnegie Hall 4/6/02) released earlier this year, DiFranco has returned with Reprieve. Never one to back down from a political firestorm, DiFranco was forced to leave New Orleans during Reprieve