It looks like The Police isn’t the only band discussing reunion plans in 2007. Van Halen has been selected for induction into the Rock and Roll Hall of Fame, and you know
The King of the Smooth Jam will make his television debut in March with a guest appearance on the popular hospital drama House. Incoherent rambler Dave Matthews takes on the
After a couple of short weeks, we’re back to the grind with a full week of action. Don’t think of it as more work, think of it as more Hidden
Sometimes in life everything comes together and you find yourself at the place you most want to be. This past weekend, I was That Guy.
That was me, experiencing the gamut of emotions at the Aragon Ballroom, where Umphrey’s McGee played three shows leading up to New Year’s Eve. I’ve fallen head over heels for UM over the past two years, and I’m thankfully still at the point where I enjoy each successive show more and more. When the band announced they were playing three year-end shows in its hometown, I just couldn’t resist and gathered 15 of my closest friends to join me for a trip to the Midwest.
Each night the band left nothing in the tank as they explored their huge repertoire, even adding a few covers to the mix. When you tear through your own songs for two hours it must be nice to play two or three amazing new covers each night. Who doesn’t like seeing their favorite band switch it up and play something new, like say, Dick In A Box?
The pairing of The Fuzz > Dear Lord that opened the second show was the musical highlight of the three shows that were chock full of musicial highlights. The rock groove found in The Fuzz was a major contrast to the beautiful tones on Dear Lord, a rarity that was one of the first songs the band ever wrote. For me the beauty of Umphrey’s is the diversity of their catalog — one minute the band would be grooving out to a reggae number when all of the sudden a heavy rocker would develop. The other non-musical highlight was the light show. Both the lasers (last seen on Pink Floyd’s Divsion Bell Tour) and the light show were top notch and really added to my enjoyment of the festivities.
Now that I’ve used every positive adjective in the blogging handbook in gushing over Umphrey’s, let’s check out some snapshots. Adam Kaufman shot the middle show on December 30th, and the pictures came out so good I thought I’d let the images do the talking and present a gallery of his incredible photos…
After a couple of three-day weekends we’re back to the old-fashioned two-day version. Whatevs, Fridays are awesome. It’s been a busy week at Hidden Track Headquarters, yet believe it or not
I had the genuine pleasure this past holiday weekend of attending Umphrey’s McGee’s three-night run at Chicago’s Aragon Ballroom. One of the cooler aspects of these shows was that UM handpicked three great bands to open each night of the run. The North Mississippi Allstars opened the show on the 29th, followed by Los Lobos on the 30th and Taj Mahal on New Year’s Eve. It was incredible to get a taste of all of those bands before Umphrey’s owned my face.
Of the three opening acts, the band I most enjoyed was East L.A.’s Los Lobos, a Mexican-American rock band that has been going strong for more 30 years.
I was mostly familiar with Los Lobos’ music, but I had never gotten a chance to experience them live. You can surely color me impressed now…
I grew up in the days of Hair Metal, even staying up ever Saturday night to watch Headbanger’s Ball on MTV. At first Motley Crue, Def Leppard and Quiet Riot were my thing. Then as the ’80s turned into the ’90s I was more of a Poison, Guns N’ Roses, and Metallica guy. And while I loved the heavy shit, I also enjoyed when bands showed a completely different side and busted out the power ballad.
An ingenious formula was established in the late ’80s for a band releasing a heavy yet catchy single and following it up with a slow song to show the emerging artists’ more sensitive side. Examples of this major phenomenon include Firehouse (Don’t Treat Me Bad > Love of a Lifetime), Warrant (Down Boys > Heaven) and Europe (The Final Countdown > Carrie).
At first I was going to list the most popular and successful power ballads, but screw that. Even though Don’t Treat Me Bad and More Than Words sold the most records, songs such as Love Song and November Rain still hold up 13 years after Headbanger’s Ball went off the air. So this edition of The B List features my 10 favorite power ballads from the Hair Metal band era (1984 – 1993) — make sure to click on the song title to see the classic video for each of these songs:
10. Love Song – Tesla: Many Hair Metal bands sucked musically and were basically productions of record companies. Tesla broke that mold by combining honest songwriting with five truly talented musicians. Love Song provides an excellent example of the power-ballad formula of instrumental opening > sappy lyrics > powerful guitar solo that was a hallmark of many songs on this list.
9. Here I Go Again – Whitesnake: Tawny Kitaen introduced herself as the “girl from the Whitesnake video” to her castmates on VH1’s Surreal Life 6. That speaks volumes about the power of the music video, as well as the power of a hot chick rolling around on a Jaguar in a white negligee. Whitesnake’s singer David Coverdale was a lucky man, as he dated Tawny Kitaen during her best years, well before she started beating up baseball players and doing tons of coke. Oh, there was a song that we were talking about, right? That happens.
Read on for the rest of this week’s edition of The B List: Hair-Metal Power Ballads…
Apparently Xanax, Percocet, and Vicodin weren’t the only drugs Trey possessed upon his December arrest for driving while drugging. WNYT in Albany is reporting that police found heroin in the
Welcome to the first 2007 edition of Grousing The Aisles. We’re still waiting for someone to recognize from where the title of this department was taken. The winner may or may not receive a set of steak knives.
GTA this week checks out a few shows from this weekend’s NYE festivities and takes a look back at a classic Dead show and a must-hear Rick Danko project. Also added to the weekly mix are a few early ’70s gems from The Doors and David Bowie. Let’s jump right into the fray and see what’s what, shall we?
Rick Danko, Jonas Fjeld, Eric Anderson 12/04/94 SBD (FLAC)
Regular HT readers may have noticed at this point that both Ace Cowboy and I are totally geigh for The Band, and more specifically Rick Danko. Guilty as charged your honor, as no singer or musician can convey emotions in their voice like Ricky D. In 1991, Danko recorded an album with Jonas Fjeld and Eric Anderson — cleverly titled Danko/Fjeld/Anderson — on which all three musicians’ styles converge to form a new style all its own (the trio then followed up their debut with Ridin’ On The Blinds). This show features plenty of songs from both albums, as well as some traditional songs and a couple of incredible Band tunes. Highlights include Stagefright, Ragtop, and It Makes No Difference. Read on for more downloads…
Is anyone else feeling pretty groggy this new year? I returned home to New York yesterday after an amazing, yet brief, trip to Chicago for the Umphrey’s McGeestand at the Aragon Ballroom. But UM wasn’t the only band playing a gig on New Year’s Eve, which has become a major holiday on the calendar for many fans and bands.
So for this special Tuesday edition of Hors, here are a few links, followed by New Year’s Eve setlists from your favorite bands:
Read on for the jam-packed NYE setlists from some of the usual suspects…
