As we’ve mentioned a number of times over the past few weeks, it was quite curious that Phish didn’t release any details about the continuation of their Live Phish program
The West Coast had it good this past month with a residency by Marco Benevento at Yoshi’s in Oakland, where he performed every Tuesday night with a different set of
Widespread Panic – Walkin’ (Live From The Georgia Theatre)
“Oh a trance is a spell/ with a thrill wrapped up inside it,” Portland, Oregon singer-songwriter M. Ward sang, six songs into his set at the Sixth and I Historic Synagogue in Washington on Feb. 21. While he may not have intended it, you can’t help but think the line is a bit self-referential.
[Photos by Zachary Herrmann]
There is, indeed, something trance-like about Ward’s music, and he had the crowd deep in meditation as he took the stage unaccompanied to open the show. With just an acoustic guitar, harmonica and his voice, Ward dazzled the crowd with impeccable leads on One Hundred Million Years and Duet for Guitars #3.
An underrated guitarist, Ward is simply mesmerizing with an acoustic guitar – effortlessly balancing bass notes with lead lines on the Rev. Robert Wilkins cover Prodigal Son. He’s no slouch on electric either, later destroying the fret board – with a full band in tow – on Bean Vine Blues #2, a song by one of his biggest influences, John Fahey.
READ ON for more from Rudi on M. Ward in D.C….
You may not have heard of Tim Brantley as of yet, but after this southern singer/songwriter releases his fantastic debut album, Goldtop Heights,
The album’s first single, Damage, has already caught on at a number of radio stations throughout the country thanks to Brantley’s strong vocals and well-crafted lyrics. Tim will perform a number of songs from Goldtop Heights at Joe’s Pub in New York City on March 13 and 14.
We caught up with this Artist To Watch a few weeks ago to talk about the process of creating and self-producing Goldtop Heights…
Scott Bernstein: I’ve really enjoyed the new disc and I’ve found new little nuances each time through.
Tim Brantley: We try to put a little candy for the kids in there.
SB: Can you take us through the timeline of creating Goldtop Heights?
TB: It took a year. It was more of a matter of circumstance than anything. When I started I didn’t have a deal and I sort of was trying to do it on my own. I did three or four of the songs on the record on my own and then I got a little funding behind it and things started moving along faster. The bulk of it was recorded in a six month period.
READ ON for more of our interview with Tim Brantley…
There seems to be a whole lotta construction goin’ on at the Hampton Coliseum right now. Apparently artist Russ Bennett and his team, who was in charge of visual design and site layout at all of the previous Phish festivals, are on the case. Here are some fantastic photos from outside the Coliseum taken by bailedwiththehay and Meaty…
Just what are they building?!?!
Construction by the fountain with a view of the Embassy Suites
READ ON for the rest of the photo gallery…
Are you an aftershow person? I’m usually so beat after seeing Phish that the last thing I want to do is see another concert. Our pal Corky said it best,
In our never ending quest to keep you up to date on all the festival announcements that bombard our in-boxes each day comes artist line up for the sixth annual
Fearless is one of the best, if not the best song written in Open G Tuning.
Waters: “What’s interesting about it, for me, is that it’s interesting musically: (hums riff). Funnily enough, that was a tuning that Syd showed me. It’s a really beautiful open G tuning, for anybody who wants to tune their guitar: G-G-D-G-B-B.”
Source: pink-floyd.org
This Gilmour/Waters composition is on Pink Floyd’s sixth studio album, a 1971 release titled Meddle.
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READ ON after the jump for video from this week’s contestants and to place your vote for your favorite cover of Pink Floyd’s Fearless…
Beachwood Sparks – Desert Skies
