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Allmans and Panic Keep The Sit-Ins Comin’

The second leg of the fan-friendly Allman Brothers Band / Widespread Panic co-bill tour continued this weekend at the BJCC Arena in Birmingham, Alabama. As with most of the other shows on the tour, the Birmingham shows contained plenty of collaborations between the two bands along with this weekend’s co-conspirators DJ Logic and Colonel Bruce Hampton.

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On Friday night, Derek Trucks joined Panic for a cover of P-Funk’s Maggot Brain that segued into a take on Time Is Free that also featured Hampton on vocals and Oteil Burbridge on bass. WSP’s JoJo Hermann returned the favor by adding an extra pair of hands for The Weight and Key to the Highway during the Allmans’ set. Later, Panic bassist Dave Schools replaced Burbridge on Dreams, before WSP guitarist John Bell and Schools guested on a cover of Highway 61 Revisited. Finally, Jimmy Herring added another ripping guitar to the mix for the One Way Out encore.

Saturday featured more of the same as the Allmans welcomed John Bell to sing And It Stoned Me and Colonel Bruce to sing Smokestack Lightning. Panic’s set featured DJ Logic on turntables for Dyin’ Man, Warren Haynes on guitar and Marc Quinones on perc for a cover of War’s Slipping Into Darkness, Gregg Allman on vocals and organ for a cover of Bob Dylan’s Just Like A Woman and Haynes on guitar for Bust It Big.

Here are the Birmingham setlists via burnthday from the ABB forums

10/10/09 BJCC Arena, Birmingham, AL
The Allman Brothers Band with Widespread Panic

O: Midnight Rider >Trouble No More, Can’t Lose What You Never Had, You Don’t Love Me, Soulshine, Stand Back, And It Stoned Me*, Revival, Statesboro Blues, Little Martha > Mountain Jam > Smokestack Lightning**> Mountain Jam

E:Black Hearted Woman

O:The Take Out > Diner > Rock > Porch Song, Dying Man***, Slipping Into Darkness****, Just Like A Woman*****, Bust It Big****** > Drums* > Airplane > Pilgrims > Good People > Dark Bar > Good People > Junior

E:Expiration Day > Going Out West

* with John Bell on guitar/vocals
** with Colonel Bruce Hampton
*** with DJ Logic
**** with Warren Haynes on guitar, Marc Quinones on percussion
***** with Gregg Allman on organ/vocals
****** with Warren Haynes on guitar


READ ON
for the setlists from Friday night’s show…

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Hidden Track: The Week That Was

This was a busy week as usual for the Hidden Track Crew as we published 34 posts by 11 different contributors including the latest member of our team – Tammy

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Review: RAA @ Bowery Ballroom

Words By: Jonathan “Kos” Kosakow

Nils Edenloff, Amy Cole and Paul Banwatt, who together comprise The Rural Alberta Advantage, occupied many nights of their 2005 lives at an open mic night in Cabbagetown, outside of Toronto. Three years later, the trio released their first album, Hometowns, and was soon after signed by Saddle Creek Records. The RAA’s new-found success allowed them to spend most of the past year consistently touring Canada and the U.S.

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It was apparent that they were still getting used to this success on Wednesday night, when a near capacity crowd at New York City’s Bowery Ballroom played host to one of their last scheduled shows of the year. Between songs, Cole and Banwatt shuffled back and forth between instruments (they both switched between percussion and synthesizer, though Banwatt favored the full drum-kit). Edenloff nervously stopped to remark on their thankfulness for playing in front of such dedicated fans. Though when the music started, it was clear that they were in their element. READ ON for more of Jonathan’s experience seeing RAA…

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The Misadventures of Roster McCabe

Something about a young band on the cusp heading out on tour seems to bring about all sorts of antics and funny stories. Having first come to know of the Minneapolis-based Roster McCabe after finding their spirited take on Warren G’s rap classic Regulator for an old edition of Bust Outs, we have since seen the name bantered about plentifully in the jamband circles, most recently as the Jambands.com New Groove of the Month.

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In poking around a bit on their website, it quickly became evident that these guys have a close knit friendship where the music comes first, but the tomfoolery a close second. So, naturally they seemed like a fun band to check out a bit further.

What is Roster McCabe all about musically? The original songs tend to see-saw up and down through big frenetic jams and mellow reggae breakdowns throughout the course of their extended, but not belabored song structures. The most distinguishing trait would be the lead vocals of keyboard player Alex Steele who brings a hip-hop, roosty reggae energy which easily staves away the dreaded “standard jam fare” label. It’s a fresh approach, particularly for anyone who likes reggae music with a more energetic and improvisational bent.

In chatting with the band between shows in the early stages of a hefty Colorado run, we learned more about the group’s camaraderie and their music, while scoring ourselves one hell of an entry for America’s Funniest Home Videos along the way.

Hidden Track: First off, congrats on being selected to the New Groove of the Month by Relix and Jambands. That’s a big step in the right direction. Do you get the feeling that things are really kicking into gear these days for the band to make the jump to the next level?

Roster McCabe: Thank you, we were honored to be selected as the New Groove of the Month. Things have been growing steadily for us. The touring, practicing and writing has been slowly paying off, so we are just going to continue those things and see what happens. We were recently in Billboard as one of five up and coming national jam acts, so that was nice to get a little recognition for everything we have been doing.

READ ON for more of Ryan’s chat with Roster McCabe…

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Phish Fall Tour: Advantage Northeast

After months of speculation, the tour dates for the first Phish Fall Tour since 2000 have emerged. Phish.com has been updated with a cute little video highlighting the dates, which

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Phish: Fall Tour Dates Start to Leak

Just as with Phish’s Summer Tour, Ticketmaster and Live Nation have started posting information about dates on the group’s Fall Tour before the actual announcement of the tour by the

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Video: The Black Lips – Let It Grow

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Televised Tune: On The Tube This Weekend

The current issue of Rolling Stone lists rootsy singer/songwriter Cory Chisel as part of country rock’s new crop along with The Avett Brothers, Dawes and The Duke and the King.

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Dethklok

Dethklok's mere presence in any one location for an extended period of time brings fans to their knees, because of their godliness. And I got to interview them.  Dethklok is:  Nathan “Tonto” Explosion – Frontman and Visionary, Skwisgarr Skwigelf – Lead Guitar, Toki Wartooth – Rhythm Guitar and Keys, Pickles – Drums and William Murderface – Bass.

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Interview: Checking Jim Weider’s Pulse

I didn’t know much about guitarist Jim Weider’s Project Percolator band before I listened to the ensemble’s latest album, Pulse. I was familiar with Weider’s work as a member of both The Band and Levon Helm’s band, so I expected to hear your standard classic rock fare. Instead, I was treated to a wonderful disc full of complex, proggy tunes that grooved.

Jim Weider & Project Percolator – Squirrels in Paris

In fact, I enjoyed the disc so much that I reached out to Weider – known among musicians as the “King of Tone” – about Pulse, Project Percolator’s live shows and his time as a member of The Band.

Scott Bernstein
: Please tell us about how you put Project Percolator together? The sound on the group’s two albums seems like a departure for you.

Jim Weider: The record I did before this was Percolator and this was a new direction I decided to take – more groove-oriented. I wanted to write myself out of the classic rock thing I had been doing on my earlier solo records. I cut that record with John Medeski, Tony Levin and Rodney Holmes. I went out and toured it with Tony Levin and Jesse Gress and we toured it for a while and then eventually I started working with Mitch Stein who’s fantastic. He used to play in the Kimock band. When Rodney freed up, Rodney joined up with us and they’re old buddies and have a great chemistry.

We slowly formed the band that you hear on this record. We’ve been touring for about a year and a half, so when we went into the studio to record Pulse we had been playing about half the songs. I really wanted to capture that live feel and I think we did it. We pared the songs down enough and didn’t overdub anything besides two or three tunes.

READ ON for more of Scotty’s chat with Jim Weider…

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