Glacial Pace Recordings is pleased to announce the release of Holy, the new album by Love As Laughter. Holy, the band’s fifth album, was recorded during the second half of
Air Traffic have revealed that their music “sounds like nobody else,” which might be the case if Snow Patrol, Coldplay and Keane were still playing the pub circuit. Air Traffic’s debut album, Fractured Life, which was released last summer in England before its February American release, gives the listeners more of what we’ve heard before in reference to the above mentioned bands.
Elbow return with a new album, The Seldom Seen Kid, their follow up to 2005’s universally acclaimed Leaders Of The Free World and first for Fiction/Geffen Records. In support of
A recent triple-bill at LA’s Spaceland showed three different bands in a similar orbit, with locals Hearts of Palm UK opening for Portland’s The Builders and the Butchers and the The Helio Sequence.
Another day, another festival rumor involving none other than Radiohead. This time word on the street has the ubiquitous band headlining the fourth installment Lollapalooza alongside another band that gave
We’re down at Langerado this weekend, where we should have been seeing Vampire Weekend right about now. Of course the afro-pop specialists are in NYC preparing for tomorrow night’s episode
“I swear, if I new it was going to be this good, I would have broken down and dropped mescaline!” – Paul Rappaport via Lefsetz
Monday night at the Bowery Ballroom saw two of the more publicized up and coming youngsters in music split a bill in Johnathan Rice and Matt Costa. Both Costa and Rice are associated with the indie music scene, but neither really fit the categorization in either a musical sense or a commercial sense. Both of these artists, while drastically different musically are capable of some serious mass appeal and are touring in front of a wave of major label support, Costa with Universal and Rice with Warner Brothers. The night was an easy sellout and then some and both Rice and Costa clearly had a solid number of fans in attendance.
I remember the first time I saw Matt Costa perform, thinking to myself, “If I had a record label, this might be the first musician I would try to sign.” Perhaps more apropos today would be, “If I were one of these private equity, Wall Street guys interested in running a record label, I would start loading up on high yield debt to prepare for a Matt Costa hostile takeover.”
Regardless, the Matt Costa story is pretty straightforward. It’s pretty much come time for Costa to decide how big he wants to become. Costa and his band are airtight and it is clear that his fan base of Costasheads is growing quickly. For good reason, Costa doesn’t have a bad song in the repertoire and can weave in and out of more solemn ballads and rocking crowd pleasers with ease. Read on for more…
While this summer is overloaded with music festivals, there is one festival to promises bands that you won’t be seeing at the rest – since most of the acts playing
One of the bright spots of 2007 in the blog world was when Sleater-Kinney’s Carrie Brownstein started Monitor Mix for NPR. Brownstein offers insightful looks at the music world on
