Following 2019’s mixed reception to St. Vincent produced The Center Won’t Hold, which slightly altered Sleater-Kinney’s pummelling sound towards more obvert artistic fare; Carrie Brownstein and Janet Weiss are back with
King Gizzard & The Lizard Wizard have announced their second album of 2021, Butterfly 3000, which will be released on June 11th via the band’s own KGLW label. The band have decided to
Nancy Wilson is stoked that her solo album, You & Me, is finally available for her fans to hear in it’s entirety. Released this past Friday, May 7th, Wilson had
Hold on tight for a legit swing through some stonecold real deal western fueled rock that spurs with the ingenuity of Asleep at the Wheel meeting Desire era Bob Dylan,
There’s precious little doubt that Los Angeles-based musician Kath Myers can craft a tasty indie rock song. With a slinky delivery mixed atop new wave noir and a fantastical mix of
Sam Robbins describes himself as an “old soul singer songwriter.” A Nashville based musician whose music evokes classic singer songwriters like James Taylor and Jackson Browne, Sam adds a modern,
Exactly two decades ago, 17 years after their last album, The Go-Go’s surprised a generation of kids raised on “Our Lips Are Sealed” and “We Got The Beat” with God
Grace McKagan may have been cutting her teeth with her synth-pop-punk band The Pink Slips the past two years, but she’s been waiting for the right time to go solo.
When it comes to writing hooks, Breana Marin is a connoisseur. The singer-songwriter based in Los Angeles has taken the internet by storm licensing hip-hop hooks to indie artists. She is one
In retrospect, Warren Haynes’ Man in Motion (released 5/10/11) may well represent the first inklings of the careerism that now afflicts his work with Gov’t Mule. Hearing the LP with
