Achtung Baby (released 11/18/91) represents the flashpoint of popularity and ambition for U2. The mega-successful Irish band has become something of a caricature of itself in the three-decade interim since
Leslie Mendelson certainly has a way of stealing a show even if it’s not the unassuming singer-songwriter’s intentions. Take last Saturday night (11/13) on Austin City Limits where renowned rock
Portland, Maine’s Love By Numb3rs has astounded ears with its eloquent dusty blues and roots rock that has given otherwise placid New England a musical splash of Nashville. The trio–co-vocalist Dan
Kelley Mickwee and her voice are one of the most recognizable talents making music in her home state of Texas at the moment – even if you may not immediately
Drummer Mike Pride takes his intense touring and two years of recording with the punk outfit MDC and twenty years later turns the band’s raucous catalog into swinging acoustic jazz.
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Memphis soul gospel queen Elizabeth King recorded her first single in 1970, and if all had gone as planned, she would have made her first album a few years later.
Alex Bloom grew up with pop and rock standards, studying music in college. Today his focus is putting his education to use, exploring what it means to be a singer-songwriter in
New York City rockers The Velvicks are back with a new single and it is every bit as edgy, gritty, and rock n roll as you might expect. “ChaChaCha” is a
With a half-century of hindsight, Faces’ Glyn John-produced third album ‘A Nod Is As Good As a Wink… to a Blind Horse’ (released 11/17/71, and second in ’71) accurately quantifies
