2007

Monday’s Hors d’Oeuvres and Weekend Setlists

Lollapalooza brings some big acts to Chicago every year, but does the festival wield a double-edged sword? Chicago Sun-Times columnist Jim DeRogatis takes a look at how performers signing Lollapalooza’s exclusive contracts actually hurts the city’s sheds. Also, buried within this piece is the news that Jam Productions plans to open a new venue in Hoffman Estates next summer.

Let’s check in on some other news and interesting links on the world wide web:

As is our Monday custom, let’s take a look at some setlists from the weekend, including but not limited to Arcade Fire in Chicago, Steely Dan, Brock Butler, Tool, Damien Rice, Disco Biscuits, The Sea & Cake, ZZ Top and many more…

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Stormy Mondays: The Perfect Mix

Good Monday morning, folks. For this week’s stormy soundtrack, we’re revisiting my best mix tape. I ran the first half of this a few weeks ago for the Friday Mix

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Aging Brits Play Blind Faith Tunes

Now is the summer of our nostalgia, made glorious by these bands of yore. Add another quasi-reunion to the growing list: Eric Clapton joined former Blind Faith mate Steve Winwood

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ALO – Recreating the Script

For its new studio album Roses & Clover, ALO decided to shake things up. For most bands, that might mean a lineup change, a new genre direction, or even a complete songwriting overhaul.   For ALO, it meant changing none of those internal workings, but instead focusing on the powers of the studio album–and surprise.

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Feist: The Reminder

Where the Billie Holiday and Kate Bush comparisons are easy, there are contemporary touches from those of Imogen Heap and Cat Power that make The Reminder a very “present” recording. The one failing of The Reminder is that it doesn’t live up to Let It Die, but in Feist’s terms, she’d rather be intimate than play “can you top this.”

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The Sea and Cake: Everybody

e Sea and Cake’s disposition has long been one of elation; Sam Prekop’s lifted vocals drifting above shimmering pop constructions. That disposition remains unchanged on Everybody, the Chicago quartet’s seventh full-length offering and its first in four years.

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Wait, Who Are You Going To See Tonight?

Wednesday night presented a truly inexplicable double bill, and everyone that asked me where I was headed heard the same sheepish response: “Well, it’s a band most commonly called chk chk chk, but it’s really three exclamation points that can be pronounced with any three repetitive mono-syllabic grunts. Oh, and Holy Fuck is opening.” Okay, but then how do I pronounce chk chk chk?

!!!
All photos by our main man Danfun

The name dissection thing’s getting old, but it’s hard to escape your own branding. And when you’ve emblazoned the scarlet !!! on your traveling marquee, you best be prepared to bring the triple-exclamatory noise and/or funk. Luckily for my fellow speed-freak showgoers at the sold-out Bowery Ballroom, this quasi-hometown, eight-piece dance-punk troupe tore up the joint with a lively mix of rabidly energetic tunes from the new Myth Takes album and Louden Up Now.

Read on for more great Danfun photos and the rest of this evening’s review…

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Pullin’ ‘Tubes: The Kidzz Are Alright

We’ve got a double dose of our regular Friday “The Kidzz Are Alright” subset of Pullin’ ‘Tubes. So instead of wasting time with our usual pre-video blather, let’s jump right into the

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