“Yeah, New York, it was an adult portion. It was an adult dose. So it took a couple of trips to get into it. You just go in the first
The Lee Boys played an impromptu set at Langerado on Sunday due to the sudden pullout of Rodrigo y Gabriela (the withdrawal method apparently works). The Mexican duo’s website blames
The downloads from this weekend’s kickoff to festival season are starting to emerge, and we figured we’d throw them out as soon as they come to our attention. So here’s
Anyone else have that Asti Spumante Nando Wine “Taste the good times” commercial from the ’80s in their head? Just me? Ah, fuck it: Links! Some top-notch Langerado photos from Scott Galbraith Papa Glide Magazine
The film's score boasts accompaniment co-written by Spoon's Britt Daniel as well as a buoyant new song from the band called "The Book I Write," which fits in nicely with the theme of the movie.
New York City’s Meatpacking District ain’t just for drugged-up clubbers anymore. Nope, now it’s for drugged-up music fans as well. The Highline Ballroom — owned and operated by the family
We’re continuing to recruit new talent to HT in an effort to provide you with more web junk to help you procrastinate at work. Today we offer our first post from Danfun, the photogenius behind the Who’s Driving The Bus? blog.
A sword sallower, a burlesque escape artist and three generations of rock and roll converged on the Webster Hall stage last night for fantastic evening of music.
Damon Albarn‘s amazing new supergroup, The Good, The Bad and The Queen, played its first North American show last night. A far cry from his old groups, this band features Clash bass player Paul Simonon, former Verve guitarist Simon Tong, and afrobeat pioneer and Fela Kuti drummer Tony Allen.
Read on below for more photos from The GB&Q’s continental debut…
For this week’s installment we turn south once again, continuing the nonstop coverage of Langerado into which we’ve somehow fallen. But, for us, the true beauty of the Interweb lies in
I just finished watching the Rock and Roll Hall of Fame induction, and oh my, what a train wreck. The only salvageable parts were REM’s performance and the footage from past ceremonies.
Lucinda Williams has never been shy about being personal in her music and her latest confessional opus – West – is no exception. Almost a carbon copy of 2001’s Essence in melody and lyrics, West is a notebook of slow moving hymns that run through themes of both losing and finding love.
