2007

The B List: Remembering The King

Elvis Presley died at his home in Memphis, Tennessee 30 years ago today. Not altogether unusual when you consider reports that “his doctor had prescribed him 5,684 narcotic and amphetamine pills in the previous seven months.” Elvis was one of the pioneers of rock n’ roll, and his legacy is still heard in the music as well as the party habits of artists performing today.


Today we’d like to honor the King with a B List of Elvis-related YouTubes. Read on after the jump for our 10 favorite videos…

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MP3 Boot Camp: Whole Lolla Boots (& More)

Largehearted Boy always does a nice job of rounding up MP3 and FLAC downloads for all the major festivals. Check out recordings of Amy Winehouse, Interpol, Ben Harper, Pearl Jam

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An Onslaught of Letters: A SXSW DVD

Here’s a fun who-knew fact we never would have guessed: The annual South by Southwest festival now brings in more revenue for the Tejas capital than either Austin City Limits

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Bedouin Soundclash: Street Gospels

Reggae is the primary ingredient of Street Gospels, but by no means the only one.  With punk running generally under the covers and surfacing occasionally on tracks like "Walls Fall Down" and even more so on "Gunships," soul is more overt.  Soulful vocals, especially in the harmonies, roots each song without exception in something genuine, so much so that the album doesn't miss a beat on the a capella "Hush."  In fact, the song is essential to Street Gospel’s flow.  

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The Black Crowes: Central Park Summerstage, New York, NY – 8/9/07

Much has changed for the Black Crowes since I last reviewed them for Glide during the first and last shows of their reunion run at Hammerstein Ballroom two years ago.  After reassembling their classic mid-90s lineup (by adding drummer Steve Gorman) during their subsequent homecoming stand in Atlanta, drugs and egos seemingly reared their ugly heads again.

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Grousing The Aisles: Sucking in the ’70s

Let’s fire up the Hidden Track Wayback Machine for a trip to the heady days of the 1970s. This week’s edition of Grousing The Aisles features three tasty soundboards from the early ’70s, along with an all-star concert from 1996 that features many musicians who got their start in that decade.


We’ll begin with a newly circulated Led Zeppelin soundboard from 1973 that sounds particularly awesome. Next we shine the light on a crispy recording of a controversial Dead show and one of the few great sounding CCR recordings that we’ve come across. Finally, we take a look at a pro-shot DVD of a once-in-a-lifetime concert starring one of the best pickup bands ever put together…

Led Zeppelin 01/22/1973 SBD [FLAC, MP3]


I get excited anytime a new Zeppelin soundboard makes it into circulation. Recently a soundboard from a show at Southampton University from 1973 fell into our grubby little hands. But this is no ordinary soundboard — this is a multi-track recording, which essentially means the mix of all the instruments nears perfection.

The setlist from the gig includes all the heavy hitters: Stairway to Heaven kicks off the second disc, which also features Whole Lotta Love, Heartbreaker, Thank You, How Many More Times and a Communication Breakdown that would make any of today’s jambands extremely jealous. Does it get much better than Led Zeppelin at their peak? Read on after the jump for much more Grousing…

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Wednesday Intermezzo: Echo Adds

The lineup for October’s Echo Project just keeps on getting better. Les Claypool, the Flaming Lips and Clap Your Hands Say Yeah are among the additions playing the festival, which takes place

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Emergence: Good News for the Crimson Cult

He’s baaaack: Former 70 Volt Parade lead singer Trey Anastasio tonight made his first public appearance since…since, well, falling off the face of the Earth. Big Red ended his five-month

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The Cribs: Men’s Needs, Women’s Needs, Whatever

As amazing as the British indie music scene has been in the past, how is anyone supposed to decide between The Futureheads, Arctic Monkeys, Art Brut, Franz Ferdinand, Kaiser Chiefs, and The Cribs?  As much as I listened carefully to every note to The Cribs' major label debut Men's Needs, Women's Needs, Whatever, I honestly cannot tell this group's album apart from any of the other condescending, menacing, and assertive post-punk cock rock band's output that sensationalist UK music journalists try to persuade London hipsters to buy.

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